David Hockney at Pace Gallery

British Pop art icon David Hockney has said that there’s drama whenever more than one person appears in a picture, but his recent ‘photographic drawing’ seen here is less about human interaction than experimentation with perspective. Working in his LA studio, Hockney photographed friends, studio assistants and furniture (as well as his own paintings in the background) to create an intriguing, uncanny image composed of multiple different perspectives enhanced by digitally drawn-in shadows. (At Chelsea’s Pace Gallery through Jan 10th).

David Hockney, The Potted Palm, photographic drawing shown on a 55 inch Sony Ultra HD screen, 48 5/8” x 29 1/4’” x 2 5/8”, 2014.

‘Body Electric’ at Ricco Maresca

Ricco Maresca’s excellent ‘Body Electric’ group exhibition of vintage and designed-for-the-body contemporary art takes tattooing to a new level. Here, a sampling of work from Colin Dale (top left), Jacqueline Spoerle (bottom right and left) and Duke Riley (top right) combine detail, skill and originality. (In Chelsea through Oct 25th).

Installation view of ‘Body Electric,’ including work by Colin Dale, Jacqueline Spoerle and Duke Riley at Ricco Maresca, Oct, 2014.

Marlene McCarty at Sikkema Jenkins

Marlene McCarty closes out her ‘Murder Girls’ series that pictures girls who have killed with this huge, four-part ballpoint and graphite drawing. Instead of showing the face of someone who has taken a life, McCarty hides it in a screen of wild hair, suggesting mental turmoil. (At Sikkema Jenkins in Chelsea through Oct 4th).

Marlene McCarty, series titled: ’14,’ graphite and ballpoint pen on paper, 71 x 94 inches each of four drawings, 2014.

Zipora Fried at On Stellar Rays

Beautiful organic forms, a trace of violence in a smear of blood, a mysteriously hazy landscape and a young woman crowned with a wig of wool and hidden by a totemic mask by Zipora Fried create an atmosphere of enticing mystery at her impressive solo show at On Stellar Rays on the Lower East Side (through October 12th).

Zipora Fried, Installation view of ‘I Hope the Moon Explodes,’ at On Stellar Rays, September, 2014.

Louise Lawler at Metro Pictures

Iconic appropriation artist Louise Lawler appropriates her own appropriations in her latest show at Chelsea’s Metro Pictures gallery with this black and white tracing of an earlier work, printed on vinyl and hung on an entire gallery wall. Drained of color and magnified, the Pollock above and tureen below seem less dissimilar. (Through July 25th).

Louise Lawler, Pollock and Tureen (traced), signed certificate, installation instructions, and PDF formatted file, dimensions variable, 1984/2013.