In Ugo Rondinone’s exhibition of stacked sculptures at Barbara Gladstone Gallery in 2013, the Swiss artist piled rocks to resemble human figures. Here, vivid colors set the tone for a show that is about visual pleasure. In the background, a circular form (made from branches cast in aluminum and gilded) stands in for the sun setting over this cheery, primordial landscape. (In Chelsea through Oct 29th).
Influential for his photographs of consumer culture items isolated and made strange, as well as his laborious tri-color Carbo printing technique, Paul Outerbridge is currently celebrated at Bruce Silverstein with a retrospective including this intensely colored cinematic homage to spring. (At Bruce Silverstein Gallery in Chelsea through Sept 17th).
Jocelyn Hobbie’s imaginary female figure is one step away from dissolving into the patterns that clothe and surround her; even her hair resembles wavy ribbons more than real locks. In the midst of all this visual input, the woman is a cipher, her far-away look suggesting she is only present physically. (At Fredericks & Freiser Gallery through June 18th).
Influential LA photographer James Welling merges photos of dancers, modernist architecture and landscapes in one of his most beautiful series to date. ‘Choreograph,’ currently on view at David Zwirner Gallery, derives its brilliant colors from intense Photoshop experimentation and its dynamism from the ghost-like images interacting on Welling’s unique stage. (In Chelsea through January 16th).
James Welling, 7809, inkjet print, 42 x 63 inches, 2015.
Do you think Hope Gangloff’s friend Yelena likes patterns? With abundance that recalls Matisse post-Morocco, the upstate painter gives us an explosion of color and design to delight the senses. (At Chelsea’s Susan Inglett Gallery through June 6th).
Hope Gangloff, Yelena, acrylic and collage on canvas, 82 x 45inches, 2015.
