Mujeres Muralistas Soi Noma in ‘The Precious Life of a Liquid Heart’ at the Institute for Studies on Latin American Art

This seven-foot painting on canvas by Soi Noma, a collective of female mural artists from the Shipibo-Conibo community in Lima, Peru adds a blast of color to the small but impactful group exhibition ‘The Precious Life of a Liquid Heart’ at the Institute for Studies on Latin American Art in Tribeca.  Addressing water crisis in Latin America and the spiritual importance of rivers and water bodies to indigenous communities, the show includes work by artists who decry environmental damage and others who focus on an appreciation of the natural world.  Soi Noma’s ‘Manifesto against Contamination’ mixes both approaches, employing kene, geometric patterns that express world views of the community, and images of animals to picture a come-back from contamination caused by oil companies. (On view through Feb 10th).

Mujeres Muralistas Soi Noma, Manifesto against Contamination, mixed media on canvas, triptych: 86 x 51 x 1/16 inches, 2022.

Tito Ferrara at Bushwick Collective

While museums and galleries are closed, a walk through Bushwick’s outdoor art gallery is a great alternative way to get your art fix.  This huge painting of a Brazilian jaguar by Sao Paulo street artist Tito Ferrara dominates the intersection, standing out among the many superb murals commissioned by the Bushwick Collective.  If you can’t get to Bushwick, check out the latest murals @thebushwickcollective or watch a short video of Ferrara strolling through the neighborhood @titoferrara.

Tito Ferrara, installation view of A Brazilian Jaguar, at Jefferson Street and St Nicholas Ave, 2019.

GCC at Mitchell-Innes & Nash Gallery

Against the backdrop of rapid urban development in the Persian Gulf countries, the artist collective GCC examines the parallel trends toward the pursuit of happiness and health. Here, a woman practices a new age, healing therapy on her son. They stand in sand, a symbol of the landscape, inside a racing track reminiscent of the region’s many new urban walkways. (At Chelsea’s Mitchell-Innes and Nash through Nov 23rd).

GCC, installation view of Positive Pathways (+), at Mitchell-Innes & Nash, Oct 2016.
GCC, installation view of Positive Pathways (+), at Mitchell-Innes & Nash, Oct 2016.

Polit-Sheer-Form Office at Queens Museum

Chinese art group ‘Polit-Sheer-Form Office’ asks what that collectivity means today in China in light of trends toward individualism and consumption. Here, in a painting at their Queens Museum show, they riff on Cultural Revolution propaganda posters that featured happy workers gathering around Mao, substituting themselves cheerfully tucking into a communal dish. (Through March 18th).

Polit-Sheer-Form Office, Polit-Sheer-Form-16, oil on canvas, 2007.