Yoshitomo Nara at Pace Gallery

Though Yoshitomo Nara’s new work at Pace Gallery is based on traditional Japanese vessel forms, the new ceramic works continue Nara’s practice of tapping into contemporary youth cultures. Whether disaffected or conformist, Nara’s young characters are less the free spirits they normally are; as portly jugs, they come across as more contained.   (At Pace Gallery’s 25th Street location through April 29th).

Yoshitomo Nara, installation view of ‘Thinker’ at Pace Gallery, April 2017.

Annabeth Rosen at PPOW Gallery

Annabeth Rosen’s curious cluster of bud-like forms titled ‘Roil,’ is a standout in this west-coast sculptor’s first solo show at Chelsea’s PPOW Gallery. Like the oil paintings behind it, the piece suggests a 3-D fingerprint or a living form that has gathered itself together from many parts to present a formidable mass. (On view through March 25th).

Annabeth Rosen, Roil, fired ceramic, baling wire, steel base, 65 x 60 x 24 inches, 2015.

Arlene Shechet at Sikkema Jenkins & Co.

Wood makes a surprise appearance in sculptor and ceramic artist Arlene Shechet’s latest sculptures at Sikkema Jenkins & Co., challenging ceramic for primacy in pieces like ‘I Saw the 18th Century.’ Shechet is also currently showing new work at the Frick Collection inspired by 18th century porcelain, but the pieces in Chelsea bear little resemblance to the delicate results of her uptown project, instead suggesting the sturdiness of a corseted matron from a past century. (In Chelsea through Nov 12th).

Arlene Shechet, I Saw the 18th Century, glazed ceramic, painted and carved hardwood, steel, 69.5 x 19.5 x 19.5 inches, 2016.
Arlene Shechet, I Saw the 18th Century, glazed ceramic, painted and carved hardwood, steel, 69.5 x 19.5 x 19.5 inches, 2016.

Peter Shire at Derek Eller Gallery

LA sculptor Peter Shire’s ‘Scorpion’ strikes a fencing pose, but something about the red ball on top of this exaggerated tea-pot shape tones down the menace. Behind it, other sculptures reveal Shire’s involvement with the Memphis design group in the 80s and his own sense of humor in a deeply enjoyable survey of the artist’s work from the 70s to the present. (At Derek Eller Gallery on the Lower East Side through Oct 9th).

Peter Shire, Scorpion, Black, cone 06 clay and two-part polyurethane with ceramic primer, and glazed lids with metal detail, 12.75 x 31.5 x 12 inches, 1996-2013.
Peter Shire, Scorpion, Black, cone 06 clay and two-part polyurethane with ceramic primer, and glazed lids with metal detail, 12.75 x 31.5 x 12 inches, 1996-2013.

3 Sculptors at Rachel Uffner Gallery

Brie Ruais’ wall mounted sculpture is designed to record the trace of her hands forming the shape of the sculpture, Sally Saul’s little women offer a kind of canvas for her ceramic compositions and Sara Murphy’s leg sawhorses provide a support for unnamed table-top activities. All expound on the human body as inspiration for creativity. (At Rachel Uffner Gallery on the Lower East Side through Oct 23rd).

Installation view of ‘3 Sculptors’ at Rachel Uffner Gallery, Sept 2016.  In the foreground is Sara Murphy’s ‘Holders,’ plywood and 2 x 6 studs, 36 ½ x 57 x 52 inches, 2016.
Installation view of ‘3 Sculptors’ at Rachel Uffner Gallery, Sept 2016. In the foreground is Sara Murphy’s ‘Holders,’ plywood and 2 x 6 studs, 36 ½ x 57 x 52 inches, 2016.