Pulling source images from the web, young Brooklyn artist Nolan Simon copies them to canvas, framing each one with painted, trompe l’oeil masking tape like an analogue version of open windows on a computer screen. While the technique doesn’t radically update collage, Simon has an eye for intriguingly odd juxtapositions. (At 47 Canal on the Lower East Side through Feb 15th).
Nolan Simon, Commonwealth, oil and acrylic on canvas, 48 x 36 inches.
Brooklyn-based artist KATSU is known for semi-abstract paintings created by drone; here at The Hole, a cluster of ceramic drone sculptures periodically disappears in a cloud of vape-generated smoke. (On the Lower East Side through Feb 22nd).
KATSU, Ceramic drone swarm, ceramic stoneware, 15 x 15 x 3 inches, 2014-2015.
Kara Walker’s monumental installation of an eroticized, African-American sphinx last summer at Brooklyn’s Domino Sugar Factory was a run-away hit for its sheer size and painful exaggeration of an American stereotype. At Sikkema Jenkins in Chelsea, Walker presents work surrounding the project, including watercolors and the sphinx’s severed hand, preserved for the time being in its defiantly rude gesture. (Through Jan 17th.)
Kara Walker, installation view of Afterword at Sikkema Jenkins, Dec 2014.
Enabled to create her art through Oakland’s ‘Creative Growth’s studio program for artists with disabilities, Judith Scott spent the last almost 20 years of her creative life crafting yarn, thread and other materials into dense bundles. The piece in the foreground testifies to her drive – when no other materials were available to her, she gathered paper toweling from the restroom or kitchen to use. (At the Brooklyn Museum, through March 29th).
Installation view of ‘Judith Scott’ at the Brooklyn Museum of Art. Foreground: Judith Scott, Untitled, fiber and found objects, 27 x 23 x 17 inches, 1994.
Known for cheeky stop-motion animations made by photographing thickly textured paintings, Brooklyn artist Yui Kugimiya settles into a vividly colored, thickly painted non-moving images for her current show at Marlborough Gallery’s LES location. Painted as she looked out of her studio window at the East River, their Fauve color and style offers an intensely personal view of the city and here, its geese. (Through Dec 21st).
Yui Kugimiya, Geese on East River – One – 2, oil on canvas, 16 x 16 inches, 2014.
