Tag: artist

Ifeyinwa Joy Chiamonwu at Jack Shainman Gallery

Young Nigerian artist Ifeyinwa Joy Chiamonwu amazes with her photo realist style and the pleasure she takes in painting elements of Igbo tradition.  In this piece titled ‘Umunne (Siblings)’ at Jack Shainman Gallery on 24th Street, Chiamonwu depicts two of her siblings in a moment of peaceful unity as they pose together with closed eyes.  A cowry shell bracelet symbolizing prosperity and snail shells signifying abundance speak to the family’s cultural wealth.  (On view in Chelsea through Feb 19th.  Masks and social distancing required.)

Ifeyinwa Joy Chiamonwu, Umunne (Siblings), charcoal, sepia, pastel and acrylic paints on canvas, 46 ½ x 46 inches, 2021.

Jaume Plensa at Galerie Lelong

With eyes closed to suggest inner reflection and heads elongated to convey a sense of spirituality, Jaume Plensa’s contemplative sculptural figures express peace in public places worldwide.  In his latest solo show at Chelsea’s Galerie Lelong, Plensa presents heads that only partly emerge from the alabaster rock from which they are carved.  Collectively titled ‘Nest,’ the new work represents Plensa’s feeling that the brain is like a nest, where dreams are born.  (On view through Dec 23rd).

Jaume Plensa, LUCIA (nest), alabaster, 57.5 x 40.1 x 20.5 inches, 2021.

Nathaniel Mary Quinn at Gagosian Gallery

Divisions both stark and subtle dominate Nathaniel Mary Quinn’s drawing ‘Double-Barreled Shotgun,’ a standout in his current show at Gagosian Gallery’s uptown location.  Prompted by a bad experience with a family member, this piece unites two figures only to show their differences.  Created with a technique that appears to be collage, yet is entirely hand drawn in charcoal, gouache and soft pastel on Coventry vellum paper, the work manifests invisible hurt in disfigured faces. (On view through Oct 30th).

Nathaniel Mary Quinn, Double-Barreled Shotgun, charcoal, gouache and soft pastel on Coventry vellum paper, 48 x 45 inches, 2021.

Niko Luoma in ‘Brought to Light’ at Bryce Wolkowitz Gallery

Experimental Finnish photographer Niko Luoma recreates a scene from an iconic 19th century woodblock print by Hokusai in this photographic image made from multiple exposures at Bryce Wolkowitz Gallery.  Whereas Hokusai pictures travelers battling the wind – holding on to their hats or losing a stack of paper to a strong gust – Luoma’s version abstracts the scene, creating mood with strong color and foregrounding the escaping pieces of paper as they take flight.  (On view in Chelsea through Aug 27th.

Niko Luoma, Self-titled Adaptation of Travelers Caught in a Sudden Breeze at Ejiri (1832), Archival pigment print, diasec, frame, 2019.

Jennifer J. Lee at Klaus von Nichtssagend Gallery

Closeups of a yellow cable knit sweater, acne scars, popcorn and other objects with textured surfaces draw viewers into Jennifer J Lee’s tiny representational paintings at Klaus von Nichtssagend Gallery.  Colorful and complex, they engage the senses on multiple levels; painted on rough panels of jute, Lee accentuates the tactility of her subjects.  Here, cacti crowd the frame of this 13 x 12 inch piece offering a lively dynamic of sharp thorns and strong light.  (On view on the Lower East Side through June 26th.  Masks and social distancing required).

Jennifer J. Lee, Prickly Pear, oil on jute, 13 x 12 inches, 2021.