Cars have given photographer Justine Kurland the freedom to travel the country shooting unforgettable photos on her road trips; her latest series is a gritty but beautifully shot homage of sorts to the mechanics who keep them going. (At Mitchell-Innes and Nash in Chelsea through October 11th).
Justine Kurland, For Abigail, inkjet print, 18 ½ x 24 inches, 2014.
A low sound of waves and chirping is a subtle accompaniment to Anissa Mack’s clusters of helium dolphins; this hint of ‘real’ nature sharply contrasts the balloons’ reference to theme parks and carnivals and adds a little whimsy and wonder to mass produced inflatables. (At Laurel Gitlen Gallery on the Lower East Side through October 19th).
Anissa Mack, installation view of ‘Deep, Deep Pepsi’ at Laurel Gitlen Gallery, Sept 2014.
New York-based British photographer Paul Graham mixes and scatters photos of rainbows shot in Ireland, pawn shops and images of his young partner asleep on the walls his latest solo show at Pace Gallery in a somewhat obvious but nevertheless beautiful mediation on finding your luck. (At Pace Gallery’s 510 West 25th Street location through Oct 4).
Paul Graham, installation view of ‘Does Yellow Run Forever?’ at Pace Gallery’s 510 West 25th Street location, Sept, 2014.
How do babies see the world without benefit (or burden) of language and experience in interpreting forms? This question inspired Brooklyn artist and new father Johannes VanDerBeek’s more or less obviously human figures, including this flattened, rabbit-like form and a striding figure at Chelsea’s Zach Feuer Gallery (through Oct 4th).
Johannes VanDerBeek, to the left: Running in Grass, aqua-resin, fiberglass, steel, clay, silicon, paint, 65 x 45 inches, 2014. To the right: Early Outline with Leaning Features, Celluclay, Aqua-Resin, paint, steel, including base: 87 x 24 x ¼ inches, 2014.
Young LA-based artist David Benjamin Sherry made his name with eco-conscious photos that alter the landscape of the American west. Here, he collages several photos together making a quilt-like pattern of stones that resembles a Playdoh sculpture or a well-intentioned but garish re-do of nature. (At Salon94 on the Lower East Side and Danziger Gallery in Chelsea through Oct 25th).
David Benjamin Sherry, Emotional Algorithm Epoch, Joshua Tree, California I, collage of traditional color darkroom photos, 40 x 50 inches, 2014.
