Anselm Kiefer at Gagosian Gallery

Gagosian Gallery’s enormous Chelsea space seems made to accommodate the monumental scale and theme of Anselm Kiefer’s latest paintings, which address contemporary migration via reference to Greek mythology and the Biblical exodus.  The title of this over 43’ long painting, ‘Danae,’ refers to the Greek myth of Zeus manifesting as a shower of gold to visit the imprisoned Danae, a liaison which resulted in the birth of their son, Perseus.  Here, a cloud of gold hovers above the cavernous hangar of Berlin’s now-closed Tempelhof Airport, a space that has been used to house refugees, as if to rain blessing on the imperiled populations that have taken refuge there. (On view through Dec 23rd).

Anselm Kiefer, Danae, emulsion, acrylic, oil, shellac, gold leaf, coal, metal and wires on canvas, 149 5/8 x 523 5/8 inches, 2016 – 2021.

Anselm Kiefer at Gagosian Gallery

The heart of Anselm Kiefer’s latest exhibition at Gagosian Gallery is a series of large-scale handmade books crafted from cardboard covered in plaster and painted with watercolor. Titled ‘Walpurgia,’ after an 8th century English nun, this lush, flesh-colored rendering of flowers echoes the erotic nature of the new paintings. Though the subject matter seems like a departure for Kiefer, it continues work begun in the 70s for which he merged the landscape and female bodies. (At Gagosian Gallery’s 21st Street location through July 14th).

Anselm Kiefer, Walpurgia, watercolor and pencil on plaster on cardboard, 14 pages (six double page spreads, front and back cover), 34 ¼ x 25 9/16 x 2 ¾ inches, 2013.