Andra Ursuta’s giant marble nose begs the question of what Ozymandias-like character would deserve such a large portrait sculpture and what went wrong, leaving only the nose behind. It’s a highlight of the High Line’s group exhibition ‘Busted,’ which reimagines public portrait sculpture. (Through April 2014).
Andra Ursuta, Nose Job, white marble, wheelbarrow, variable dimensions, 2013.
Smashed gallery windows and a wall plowed down by a shiny cart set a restive mood for Andra Ursuta’s latest solo show at Ramiken Crucible on the Lower East Side. Totemic female torsos crafted from a mix of concrete and manure and marble statues of a Romanian gypsy woman awaiting deportation from France are weighed down and beautified by jewelry made from coins. Partly informed by a story of Romanian witches casting a curse on their government, the show’s female characters stubbornly resist tidy concepts of national identity. (Through October 21st.)
