In 1960s south of France, a group of artists looking for alternatives to traditional ways of making art informally opted for abstract compositions favoring geometry and color. Canada Gallery on the Lower East Side showcases work that seduces with its handmade, colorful and rhythmic qualities. (Through July 20th).
Installation view of ‘Supports/Surfaces’ at Canada Gallery, June 2014.
German artist Florian Maier-Aichen blurs the boundaries between painting and photography in his latest series of abstract images, created by pouring paint, transferring images to transparent film, backing them with other paintings and ultimately photographing the final product for presentation as a photograph. (At Chelsea’s 303 Gallery through July 25th).
Florian Maier-Aichen, Untitled, c-print, 81 ½ x 64 ¾ inches, 2014.
Late Austrian artist Franz West depicts Biblical characters Cain and Abel in a standoff in this typically pop-colored, messy abstract sculpture from 1986 at Chelsea’s Gagosian gallery. Using abjection and humor West makes their iconic conflict seem odd and not a little pathetic. (Through July 18th).
Franz West, Cain ova Incontro ad Abele, epoxy resin, lacquer, steel, 1986.
San Francisco-based abstract sculptor Vincent Fecteau’s untitled, wall-mounted clay sculpture resembles a super-sized, wadded up piece of paper at first glance; delicate green coloring, eye-grabbing negative space in the folds and a mysterious bar-like shape at the top encourage further looking, however. (At Matthew Marks Gallery through June 28th).
Vincent Fecteau, Untitled, resin clay, acrylic paint, 26 x 28 x 8 inches, 2014.
This new, candy-bright abstract by Joanne Greenbaum suggests maps, calligraphic squiggles, spirographs and more; it’s a standout in a lively show of Greenbaum’s new abstractions. (At Rachel Uffner Gallery on the Lower East Side through April 20th).
Joanne Greenbaum, Untitled, oil, acrylic and ink on canvas, 90 x 80 inches, 2014.
