David Zwirner Gallery revisits the 1980s in ‘No Problem,’ a group show that tracks the mutual influence of the Cologne and New York art scenes during this era. It includes Jenny Holzer’s inflammatory essays – in-your-face rants once plastered around New York and included in a show at Monika Spruth Galerie in Cologne in 1985. (In Chelsea through June 14th).
Jenny Holzer, Inflammatory Essays, 1979-1982, offset posters on colored paper, 17 x 17 inches (each).
Toward the end of her short life, Cuban-American artist Ana Mendieta imported sand and soil from locations important to her (Cuba, the Nile, etc.), to make sculpture that evokes organic materials, the female body and far-away locations. (At Chelsea’s Galerie Lelong through June 22nd).
Ana Mendieta, installation view of ‘Ana Mendieta: Late Works 1981-85,’ at Galerie Lelong, May 2013.
This gruesome, one-eyed, blue cigarette bedecked creature with perfect teeth could be the patron deity of Bali-based Ashley Bickerton’s portraits of crazed hedonists. At over seven feet high, the sheer profusion of color and ornament – from her bottle cap necklace to paint-smeared coral – is impressive. (At Lehmann Maupin’s Lower East Side location through April 20th)
Ashley Bickerton, White Head I, acrylic, digital print and plastic laminate on wood, 2012.
