Tony Matelli in ‘Friends of the Pod’ at Broadway Gallery

‘Friends of the Pod,’ an enjoyable group exhibition at Broadway Gallery in Tribeca featuring artists linked to a podcast hosted by advisor Benjamin Godsill and Vanity Fair art columnist Nate Freeman opens with this wonderfully weird assemblage by Tony Matelli.  Anyone who knows Matelli’s sculpture knows to mistrust what they see; the master of trompe l’oeil has produced realistic human bodies and floral arrangements that appear to float upside down as well as pieces of what look to be classical statuary that include pieces of fruit and vegetables.  Traditionally understood in European painting as a warning of mortality, perfect fruits and flowers point to the inevitability of what will come next.  Matelli’s veg avoids this fate while triumphing over a human head that no longer stands upright.  (On view through Feb 3rd).

Tony Matelli, Bust (Eggplant and Celery), concrete, painted bronze, 13 x 18 x 12 inches, 2022.

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Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)

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