From the modestly sized to the tiny, Maya Brodsky’s realist paintings at George Adams Gallery draw audiences closer to inspect and appreciate detailed images of the artist, her young daughter and her grandmother. Though several scenes of Brodsky’s daughter Eda in the hospital after being born are touching in their tenderness and most of the show’s paintings showcase beautiful light effects (sunlight or artificial light), the most moving paintings are of Dusya, Brodsky’s grandmother. As Dusya rubs Maya’s foot or fastens the buttons of her own sweater, Brodsky renders her fine crown of straight white hair or her well-used hands with loving detail and a sense of gravity that feels profound. (On view in Tribeca through April 1st).
Maya Brodsky, Open/Close, oil on mylar mounted on panel, 5 5/8 x 5 ¼ inches, 2019.
Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education.
For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine.
Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)
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