Eddo Stern, at Postmasters

For ‘Tema Celeste’ magazine

Eddo Stern, Sheik Attack, 2000, Still from Digital Video
Eddo Stern, Sheik Attack, 2000, Still from Digital Video

In a unique spin on being “true to the medium,” Eddo Stern appropriates clips from violent video games to reconstruct historical events. For his first New York show, the Israel-born artist presented the video Sheik Attack, a history of Israeli military attacks on Palestinian leaders during the 1990s. In the back gallery, Stern pulled together a mini-exhibition of Afghan war rugs decorated with images of weaponry used in the fighting between the Mujahideen and the Soviets during the 1980s.

Sheik Attack begins in 1966 with an army of little men and women from a simulation game building a house to the upbeat sounds of a nationalist 1960s Israeli folk song. The video cuts to 1999 and a view of an unending metropolis created with the computer game SimCity. Later, nighttime commando raids, sampled from games like Command and Conquer and Nuclear Strike, are contrasted with an Israeli pop song about a peaceful night of rest and dreams. In the second gallery, handwoven Afghan rugs from the ’80s and ’90s lined the wall. At first glance, they appeared to be decorated with traditional abstract and floral patterns, but on closer inspection the decorative elements turned out to be precise renderings of helicopters, AK-47s and hand grenades. Sheik Attack has been described by the curator as a video “woven” from various inspirations, suggesting a parallel between his vernacular medium and that of the rug makers. The weapons on the rugs bear a striking similarity to some of the low resolution digital video images in his work. And now that the Israeli military’s attacks on the leaders of Palestinian political groups are front page news again, the work has even more relevance. Stern’s use of video game imagery implicates viewers, who are usually the active agents in the game, drawing us into the Middle East conflict in a highly personal way.

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Merrily Kerr

Merrily Kerr is an art critic and writer based in New York. For more than 20 years, Merrily has published in international art magazines including Time Out New York, Art on Paper, Flash Art, Art Asia Pacific, Art Review, and Tema Celeste in addition to writing catalogue essays and guest lecturing. Merrily teaches art appreciation at Marymount Manhattan College and has taught for Cooper Union Continuing Education. For more than a decade Merrily has crafted personalized tours of cultural discovery in New York's galleries and museums for individuals and groups, including corporate tours, collectors, artists, advertising agencies, and student groups from Texas Woman's University, Parsons School of Design, Chicago's Moody Institute, Cooper Union Continuing Education, Hunter College Continuing Education and other institutions. Merrily's tours have been featured in The New York Times, Conde Nast Traveler, Sydney Morning Herald and Philadelphia Magazine. Merrily is licensed by New York City's Department of Consumer Affairs as a tour guide and is a member of the International Association of Art Critics (AICA USA)