Carolyn Salas at The Hole NYC

A pair of long white legs tiptoe toward a hanging curtain on the right side of Carolyn Salas’ laser-cut aluminum sculpture ‘Gone’ at The Hole as if making a quick and quiet exit.  Behind, assorted disembodied heads, legs and vases suggest a crowded domestic environment from which our protagonist is slipping away to find her own space.  (On view in Tribeca through Dec 31st).

Carolyn Salas, Gone, 2022, powder-coated aluminum 3/8?, 102 x 144 inches.

‘Claes & Coosje: A Duet’ at Pace Gallery

Right after the giant fork holding spaghetti and a meatball, the monumental sculpture ‘Dropped Bouquet’ is an immediate draw in Pace Gallery’s new show of collaborative work by Claes Oldenburg and Coosje van Bruggen from the 80s onward.  Surrounded by lighthearted works evoking music (including canvas violas, lutes and a trumpet) and flying neckties and pieces of pie, the flowers elicit delight with their cheery color and disorienting scale.  (On view in Chelsea through May 1st.  Masks, social distancing and appointments are required.)

Oldenburg/van Bruggen, Dropped Bouquet, painted aluminum, 12’ 3” x 9’ 3” x 14’ 10”, 2021.

Julio Le Parc at Perrotin Gallery

To Argentinian-French artist Julio Le Parc, the individual’s experience of his work is everything.  From inventing games that could be played on the street to constructing installations of moving lights, Le Parc has experimented with ways to draw in his audience and heighten their perceptions of the world around them.  Here, at Perrotin Gallery, hanging aluminum shapes reflect the gallery and visitors, bringing both into the experience of the sculpture.  (On view on the Lower East Side through Dec 23rd.  Masks and social distancing are required).

Julio Le Parc, Continuel mobile en diagonal, Inox steel, coated steel cable, aluminium, 118 1/8 × 118 1/8 × 118 1/8 inch, 2020.

Frank Stella at Marianne Boesky Gallery

Frank Stella’s latest abstract sculptures are as colorfully exuberant as ever, presenting viewers at Marianne Boesky Gallery with plenty to peruse.  Derived from digital processes, the twists and turns of shiny aluminum components take sculpture beyond the handmade.  (On view in Chelsea through June 22nd).

Frank Stella, Plan de la Tour Mirrored Relief, paint on aluminum, acrylic, 157 x 189 x 41 inches, 2018.

Robert Longo in ‘A New Ballardian Vision’ at Metro Pictures

From huge charcoal drawings to weighty bronzes, Robert Longo has returned to images of the U.S. flag throughout his career in an on-going exploration of power and politics. Here, the mirrored surface of this flag makes viewers part of an object and a symbol.   (At Metro Pictures Gallery in Chelsea through August 4th).

Robert Longo, Untitled (Mirror Flag), silver oxide, clear coated aluminum bonded polyester resin, 42 x 56 x 14 inches, 2015.