Michele Abeles at 47 Canal

Known for adding paint, tile or other materials to the surface of her photographs, Michele Abeles shifts gears in her current show at 47 Canal, offering a surprisingly unmanipulated selection of images reflecting on macabre Halloween traditions.  Most of the show’s pictures of ghoulish lawn decorations come across as straightforward documentation of bizarre but unsurprising phenomenon.  A few images break through to another level, however, making an inflatable demon or a casually placed, dismembered body part freshly strange.  Here, natural materials on the ground contrast sharply with the glowing white paper skeleton, creating a jarring contrast that illuminates the artificiality of the bones.  (On view on the Lower East Side through Oct 3rd.  Appointments are encouraged and masks and social distancing are required.)

Michele Abeles, 11/1/19, 2:20PM, dye sublimation on aluminum, 31 x 21 ½ inches, 2020.

Ajay Kurian in ‘Inventory’

The U.S. flag becomes a symbol not just of the nation, but of the country’s continuous transformation in Ajay Kurian’s abstracted, epoxy rendition.  Peeling, scale-like segments suggest old skin giving way to new in brilliant color.  A similar piece from Kurian’s 2018 exhibition at 47 Canal is now showcased on ‘Inventory,’ a new platform organized by artist Darren Bader to present artwork that might otherwise languish in gallery storage while galleries are closed.

Ajay Kurian, Flag (foot print), epoxy clay, spray paint, wood, plasti-dip spray, 34 ¼ x 65 inches, 2018.

Josh Kline at 47 Canal

What happens to humanity if global warming leads to drastic sea level rise?  Josh Kline envisions the end of life as we know it in a provocative sculpture series featuring submerged cities and preserved specimens of everyday 21st century life at 47 Canal on the Lower East Side.  Inside lab hoods, preserved doll-house sized domestic and office environments suggest that what’s normal now may soon be a thing of the past.  (On view through June 9th).

Josh Kline, detail view of Inundation, lab hood, glass, urethane paint, light box, reinforced steel, color filter gel, blackout fabric, contents: glass, silicone, dollhouse miniatures, fabricated miniatures, objects cast in epoxy resin, cyanoacrylate glue, silicone epoxy, 89 ¾ x 48 x 33 inches, 2019.

Antoine Catala at 47 Canal

Antoine Catala’s charmingly strange solo show at 47 Canal remakes emojis as extra-terrestrial faces adorning ‘breathing’ socks and shopping bags. Commenting on what he sees as emojis’ sudden ubiquitous and alien presence in our lives, Catala asks what damage is occurring (band-aids are a theme) and how much ‘cute’ we’re willing to consume at what cost. (On view on the Lower East Side through Dec 17th).

Antoine Catala, installation view of ‘Everything is OK,’ at 47 Canal, Nov 2017.

John Finneran at 47 Canal

Though he has focused on the female form in past, pared down representations, a large, pink-hued highlight of John Finneran’s latest solo show at 47 Canal features three kings. Resembling archaic designs and featuring universal geometries, they appear both ancient and contemporary. (On the Lower East Side through April 2nd).

John Finneran, Kings, oil and charcoal on linen, 66 x 74 inches, 2017.