Sopheap Pich at Tyler Rollins Fine Art

Sopheap Pich’s bamboo and rattan flower is made of natural materials but resembles computer-generated imagery. In fact, this flower – from the cannonball tree – has personal meaning to the artist. It represents the tree that sheltered Buddha during his birth and is found near Buddhist temples and Pich’s home. (At Tyler Rollins Fine Art in Chelsea through Aug 26th).

Sopheap Pich, Rang Phnom Flower No. 2, bamboo, rattan, metal wire, approx. 85 ½ x 43 ¼ x 20 inches.
Sopheap Pich, Rang Phnom Flower No. 2, bamboo, rattan, metal wire, approx. 85 ½ x 43 ¼ x 20 inches.

Paul Outerbridge at Bruce Silverstein Gallery

Influential for his photographs of consumer culture items isolated and made strange, as well as his laborious tri-color Carbo printing technique, Paul Outerbridge is currently celebrated at Bruce Silverstein with a retrospective including this intensely colored cinematic homage to spring. (At Bruce Silverstein Gallery in Chelsea through Sept 17th).

Paul Outerbridge, First Robin of Spring, Carbo print, 14 3/8 x 10 5/8 inches, 1938, printed c. 1938.
Paul Outerbridge, First Robin of Spring, Carbo print, 14 3/8 x 10 5/8 inches, 1938, printed c. 1938.

Rokni Haerizadeh in ‘A Storm is Blowing From Paradise’ at the Guggenheim Museum

Painting over You Tube video stills, Iranian artist Rokni Haerizadeh morphs familiar imagery into a setting for mythological creatures inspired by Persian tradition. Here, a building echoes the Guggenheim’s spiraling form but is surrounded by emergency vehicles, one of which has partially changed into a fish. (At the Guggenheim, in ‘A Storm is Blowing from Paradise: Contemporary Art of the Middle East and North Africa’ through Oct 5th).

Rokni Haerizadeh, one piece from the 24-part work ‘But a Storm is Blowing from Paradise,’ gesso, watercolor and ink on inkjet prints, 2014.
Rokni Haerizadeh, one piece from the 24-part work ‘But a Storm is Blowing from Paradise,’ gesso, watercolor and ink on inkjet prints, 2014.

RongRong and inri at Chambers Fine Art

To make work for the 2012 Echigo-Tsumari Art Triennial, photographers RongRong and inri packed up their family and moved from Beijing to rural Japan, creating timeless, ethereal black and white scenes shot in a 200-year-old house. (At Chambers Fine Art in Chelsea through Aug 20th).

RongRong and inri, Tsumari Story No 11-4, silver gelatin print, 46 ¾ x 58 ¼ inches, 2014.
RongRong and inri, Tsumari Story No 11-4, silver gelatin print, 46 ¾ x 58 ¼ inches, 2014.

Richard Woods at Friedman Benda Project Space

British artist/designer Richard Woods has applied mock Tudor façade to a shopping mall in Seoul, fake flagstones to a cottage in Finland, and now brings a collection of woodblock tabletops to Friedman Benda Project Space in Chelsea. Presented as both tables and wall-mounted works, the exhibition’s vibrant color and patterns celebrate the places where we eat, work and commune. (Through Aug 19th).

Richard Woods, installation view of ‘Work Tables’ at Friedman Benda Project Space, June 2016.
Richard Woods, installation view of ‘Work Tables’ at Friedman Benda Project Space, June 2016.