Brazilian artist Adriana Varejao explores the complicated relationship between western and indigenous cultures with a series of self-portraits that blend Native South American and mid-20th century minimalist aesthetics. Here, wavy feathered plumes contrast a stark geometric stripe running the length of her face and clouds of dots over her eyes. (At Lehmann Maupin Gallery on the Lower East Side through June 16th).
They’re not looking at each other, but this dancing couple makes a connection through the eyes. As if they share a common vision, or are alert to each other’s thoughts, each bears an eye of the other as they engage in an elaborate courtship ritual. (At Lower East Side Gallery Thierry Goldberg, through May 1st).
With oppressive systems as his theme, British artist Adam McEwan presents sculptures of supercomputers that move data, a rendition of airport security trays and this walk-in sculpture of the letter ‘K.’ The letter stands in for Kafka and a character in ‘The Trial’ as well as a hieroglyph for an open hand. The most convincing way to understand the mood of the piece, however, is to climb the terrifyingly steep stairs. (At Petzel Gallery through April 30th).
Set against wallpaper developed for an installation at Mass MoCA, Barbara Takenaga’s ‘Life’ looks like an implosion inside of a molecular structure. The effect is eye-popping in person. (At DC Moore Gallery in Chelsea through April 30th).
New York artist Amy Lincoln carefully studies particular plants, then incorporates them in paintings of the natural world so crisp and vibrantly colored, they’re almost hallucinogenic. (At Morgan Lehman Gallery in Chelsea through May 7th).
