Russian-American artist Asya Reznikov takes on the role of Manet’s bar maid at the Folies-Bergere, only she serves the demands of just one client and from her own body. Transplanted from the public realm into the domestic sphere, Reznikov’s character still manages a tight ship but with little apparent enjoyment. (At Nancy Hoffman Gallery in Chelsea through July 1st).
New York painter Joanne Greenbaum takes mark making into three dimensions with ceramics that evoke natural forms and architecture in vibrant color at Rachel Uffner Gallery on the Lower East Side. (Through July 1st).
Aperture’s exhibition ‘Tiny: Streetwise Revisited’ is a fascinating glimpse into the life of Tiny, the petite Seattle teen memorably photographed in 1983 by Mary Ellen Mark for Life magazine and filmed by her filmmaker husband Martin Bell for his 1984 documentary Streetwise. As a young woman in this photo, she dreams of having riches and a family of 10 kids. In the exhibition, Mark follows Tiny as she fulfills her second wish as poverty and addiction define her life. (In Chelsea through June 30th).
Glass, mirrors and distorted perspectives turn nature into a candy-colored wonderland in new photos by Paris-born, NY photographer Karin Laval. This hyped-up version of nature literally moves into the gallery space as Laval presents an image on the wall and as sculpture. (At Chelsea’s Benrubi Gallery through July 1st.)
Miroslav Tichy surreptitiously photographed unsuspecting women in the Czech Republic for decades; the resulting images are often celebrated in New York galleries and museums. For her solo show at the New Museum, Polish-born artist Goshka Macuga created this tapestry, featuring women from Tichy’s photos (and other sources) along with two women who wear body suits based on Tichy’s drawings. The women in the tapestry clean Karl Marx’s tombstone, summoning not workers but women to unite. (At the New Museum through June 26th).
