Cosima von Bonin in ‘The Secret History of Everything’ at Galerie Perrotin

“First of all, I never explain my work,” Cosima von Bonin declared at the beginning of a 2018 interview with Brooklyn Rail, establishing that there are no pat explanations for pieces like this octopus currently on view at Galerie Perrotin.  Patchwork fabrics and stuffing give the animal an approachable and familiar feel, like a kid’s toy, while the blue glow of neon tubes below may represent mysterious ocean depths. Beached on this platform, however, with patches of white suggesting splashed water, the animal doesn’t appear to be on safe ground, creating an attractive but uncertain scenario.  (On view in the group exhibition ‘The Secret History of Everything’ on the Lower East Side through Aug 14th . Masks and social distancing are required.  Appointments can be made via the gallery’s app.)

Cosima von Bonin, Total Produce (Morality), 2010, Octopus: Various fabrics, polyfill, Base: Various fabrics, foam materials, rubber, wood, neon tubes, Octopus: 86.6 x 86.6 x 23.6 inches

Leo Amino at David Zwirner Gallery

Underappreciated despite showing at the Met and MoMA, the career of late 20th century cast resin pioneer and direct carving innovator Leo Amino is attracting new attention thanks to a handsome show at David Zwirner Gallery.  Fascinating as translucent objects, alluring for their bold colors, Amino’s block-like resin sculptures are a draw, along with a bird-like form crafted in wood and encased in resin and totemic carved wood forms.   (On view on 20th Street in Chelsea by appointment).

Leo Amino, Refractional #85, polyester resin, 13 x 13 x 13 inches, 1972.

Kyle Staver at Zurcher Gallery

Beyond a circle of big cats, claws extended and mouths open, a dazzle of wide-eyed zebras sprint across the grass in this dramatic nature scene by New York painter Kyle Staver.  Now on view at Zurcher Gallery, Staver’s paintings continue to upend traditional European art historical iconography (Susanna’s pet tigers keep her safe from molesting Elders, for example).  Edward Hick’s folk art, harmony-between-creatures ideal ‘Peaceable Kingdom’ comes to mind with ‘Zebra Pass,’ but differs from that arcadia thanks to the menace of waiting predators.  (On view on the Lower East Side through July 24th).

Kyle Staver, Zebra Pass, oil on canvas, 70 x 52 inches, 2019.

Benjamin Degen at Susan Inglett Gallery

A body melts and a blanket rises into colorful foothills in this painting celebrating the pleasures of the senses and the outdoors by Benjamin Degen at Susan Inglett Gallery.  In other works, bathers visit the beach at night to watch the moon while nature creates fabulous patterns in the movement of stars, rain and ocean water.  (On view by appointment in Chelsea through through July 24th).

Benjamin Degen, Rise, oil and spray enamel on canvas, 30 x 24 inches, 2019.

Catherine Opie at Lehmann Maupin Gallery

The Okefenokee National Wildlife Refuge is the largest national wildlife refuge east of the Mississippi River, a draw for hundreds of thousands of visitors a year and an area of interest for mining companies.  The wetland recently drew iconic photographer Catherine Opie to shoot images now on view at Lehmann Maupin Gallery that expand her career-long exploration of US places and communities of people.  Threatened not just by limited environmental protections but also by climate change, the Swamp is counterpoint to the oft repeated notion of ‘draining the swamp’ from Opie’s perspective.  (On view in Chelsea through Sept 26th.  No appointment is necessary but social distancing and masks are required.)

Catherine Opie, detail of Untitled #1 (Swamps), pigment print, 40 x 60 inches, 2019.