Marti Cormand in ‘Flora/Fauna’ at Josee Bienvenu Gallery

Marti Cormand’s last solo show at Chelsea’s Josee Bienvenu Gallery involved meticulously painting replicas of rediscovered artworks that had been considered ‘degenerate’ in the Nazi era.  His current series of oil on Polaroid paintings at the gallery involves painterly additions to photos found in his childhood house in Spain, continuing an engagement with recovered imagery from the past.  A hazy view inside a refrigerator, and a parrot in an arctic landscape suggest that Cormand is focusing on the strange or magical in the everyday; his swimmer similarly transports us, triggering memories of nature at its most inviting.  (On view through August 15th).

Marti Cormand, Swimmer (nedador), oil on polaroid, 4.20 h x 3.5 x inches, 2019.

Jenna Krypell in ‘Impossible Objects’ at Davidson Gallery

Brooklyn-based artist Jenna Krypell’s abstract shapes suggest three dimensions in two, effecting momentary disruptions in our perception.  Resembling mazes, stylized calligraphy, or here, sections of a sunset-colored sky cut into strips and hung out, each arrangement of form offers engaging spatial complexity.  (On view in Chelsea at Davidson Gallery through August 16th.)

Jenna Krypell, DUSK, MDF, resin, enamel, 87 x 45 x 2 inches, 2019.

ektor garcia in ‘garcia, Raina, Shore, Tossin’ at Luhring Augustine

ektor garcia’s ‘portal (guadalajara)’ connects not only to his upbringing by female relatives who supported the family in Mexico and the U.S. with their skill at crochet but also to the earth in its warm, terracotta color.  In another piece, a long slim panel of oxidized copper lined with crochet artificial sinew speaks to the building value of minerals derived from the land and its feminized embellishment while his ‘chainmale’ glazed ceramics resemble metal links but are crafted from a more fragile material.  (On view in ‘garcia, Raina, Shore, Tossin’ at Luhring Augustine Gallery in Chelsea through August 16th).

ektor garcia, portal (Guadalajara), crochet leather cord, copper tubing, suede, dimensions variable, 2018.

Joani Tremblay in ‘Plastic Garden’ at Asya Geisberg Gallery

The peachy tones of the rock formation in this painting by Canadian artist Joani Tremblay resemble spray-tanned flesh as much as sedimentary stone, questioning Mother Nature’s ‘natural’ qualities.  Included in Asya Geisberg Gallery’s ‘Plastic Garden’ summer group show, this painting’s houseplants further signal that the view is seen through an ‘arranged’ human lens.  (On view in Chelsea through August 16th).

Joani Tremblay, A Room of One’s Own, oil on linen, 36 h x 32 x inches, 2018.

Mel Ziegler at Galerie Perrotin

Fifteen years of collected memorabilia from Mt Rushmore yielded the material for artist Mel Ziegler’s one thousand digitally printed portraits of the monument’s four presidents, currently filling the ground floor of Galerie Perrotin on the Lower East Side.  Though repetition and systemization are key, the degradation of each image – suggesting they were lifted from cheaply made or tiny reproductions – leaves the most lasting impression.  Despite the scale of the effort in the original Rushmore or Ziegler’s redo, there’s no guarantee that a burnished image will be handed down to posterity.  (On view through Aug 16th).

Mel Ziegler, detail installation view of ‘1000 Portraits,’ inkjet on canvas, dimensions variable, each canvas 8 x 10 inches, 2018.