Keegan Monaghan in ‘Platform’ with David Zwirner Gallery and James Fuentes Gallery

Virtual exhibitions have replaced in-person shows at many New York galleries, but David Zwirner Gallery’s new ‘Platform’ offers something different by showcasing work by individual artists represented by twelve established, smaller New York galleries.   The initiative highlights painting and sculpture, conceptual and digital art by groundbreaking artists and includes Keegan Monaghan’s impasto oil paintings.  Monaghan’s ‘The Screen’ – pictured here from New York Art Tour’s photo archive from Jan ’18 at James Fuentes Gallery – perfectly illustrates how pictures can ‘serve alternatively as barriers and entry points’ as we look at someone looking at someone looking.

Keegan Monaghan, The Screen, oil on canvas, red oak frame, 50 x 56 ¾ inches framed, 2016-2017.

Bayne Peterson at Kristen Lorello Gallery

Intimately scaled and vibrantly colored, Bayne Peterson’ abstract sculpture is both a pleasure and puzzle for the eye.  In this Sept ’15 photo from New York Art Tour’s archives, a series of interlocking triangular forms made from dyed plywood segments joined by dyed epoxy creates a jittery pattern belied by the sculpture’s soothing curves.  Peterson’s latest work – currently featured by Kristen Lorello Gallery – was inspired by the dynamism of classical sculpture and the unique optical abilities of the mantis shrimp.  To see his recent sculpture, visit Kristen Lorello Gallery or check out the gallery’s special Learning Opportunities.

Sept 2015 installation view of Bayne Peterson and Nadia Haji Omar at Kristen Lorello Gallery. Foreground: Bayne Peterson, Untitled (Greens, Wood and Stone), dyed plywood, dyed epoxy, powdered granite, resin, 10.5 x 6 x 8 inches.

Kathrin Sonntag in ‘First Responders’ at Thomas Erben Gallery

Berlin-based artist Kathrin Sonntag is no stranger to quiet moments in the studio; past photos of seemingly banal environments allude to the paranormal or time travel.  As part of Thomas Erben Gallery’s ‘First Responders’ series – an ongoing response to the COVID-19 pandemic by gallery artists – Sonntag presents a series of images made in the solitude of her workspace in 2004.  The photos turn the everyday moment into magic; here, nail scissors come to life and mince across the floor.  To see more from Sonntag’s unique POV, visit the gallery’s Instagram or Facebook page.

Kathrin Sonntag, from Thomas Erben Gallery’s Instagram @thomaserbengallery, posted April 6th, 2020.

Tito Ferrara at Bushwick Collective

While museums and galleries are closed, a walk through Bushwick’s outdoor art gallery is a great alternative way to get your art fix.  This huge painting of a Brazilian jaguar by Sao Paulo street artist Tito Ferrara dominates the intersection, standing out among the many superb murals commissioned by the Bushwick Collective.  If you can’t get to Bushwick, check out the latest murals @thebushwickcollective or watch a short video of Ferrara strolling through the neighborhood @titoferrara.

Tito Ferrara, installation view of A Brazilian Jaguar, at Jefferson Street and St Nicholas Ave, 2019.

Cecily Brown on The Brooklyn Rail and from New York Art Tours Archive

Figures emerge and recede in Cecily Brown’s energetic gestural expressionism; this Nov ’17 photo from New York Art Tour’s archives features a face so subtle it seems to have emerged by chance from the drips and lines of paints surrounding it.  It’s a great moment to catch up with Brown’s latest work on Instagram @dellyrose – where she’s been posting paintings featuring far more direct characters – and via The Brooklyn Rail’s daily live lunchtime conversation tomorrow, April 1st with Jason Rosenfeld, Editor-at-large. (Access is free and by Zoom.  Visit Eventbrite to book).

Cecily Brown, detail from Sirens and Shipwrecks and Bathers and the Band, oil on linen, 97 x 151 x 1.5 inches, 2016.