Sweden-based artist Nathalia Edenmont is both collector and artist – using rare butterfly wings she acquires at fairs in Singapore and Paris, she creates labor-intensive collages that uniquely comment on nature’s beauty. (At Chelsea’s Nancy Hoffman Gallery through Sept 1st.)
We are like characters in a disaster movie, writes photographer Hiroshi Watanabe – though terrible events loom, we carry on with life as usual. Here, snow-covered persimmons make for a beautiful image but one that warns of a fast-arriving, harsher season. (At Chelsea’s Benrubi Gallery through Aug 26th).
Wild abandon meets danger in this 1974 photo by counterculture photographer Roger Steffens, though what appears to be a fatal leap is an illusion – the young woman landed safely on the ledge directly beneath her. Under the titled ‘The Family Acid,’ Steffens’ photos chronicle the lives of his friends and family as they embody the changing mores of an era. (At Benrubi Gallery in Chelsea through Aug 26th).
Neatly tiled platforms suggest a clean and ordered place while glasses with red sticks hint at incense offerings in New York artist Libby Rothfeld’s evocative ‘Option #1,’ currently at Canada New York on the Lower East Side. The setup entices us to make up our own story – one in which a fragile crown sporting a fairy-like face might find its way to an Asian supermarket shopping basket filled with potatoes… (Through August 26th).
Located in the same room as the Queens Museum’s model of New York City’s water system, Duke Riley’s ‘That’s What She Said’ is a commissioned work warning against misuse of a precious natural resource. To the left, an Egyptian goddess creates the waters that flow down into a landscape destroyed by power plants and the indifference of its inhabitants. (Through Jan 1, 2017).
