Frank Stella at Marianne Boesky Gallery

From wood to polycarbonate and from the Whitney’s outdoor sculpture terrace to the museum’s gift shop, Frank Stella is bent on examining star shapes in endless materials and sizes. At Marianne Boesky Gallery in Chelsea, this ‘Corian Star’ is in the medium size range for Stella (at just under four feet tall), but its color scheme and unlikely material makes it an immediate draw. (On view through June 17th).

Frank Stella, Corian Star, Corian, 47 x 47 x 47 inches, 2017.

Elias Sime at James Cohan Gallery

A swirling, starry sky crafted from braided electrical wire hovers over a curving organic landscape made from keyboard keys in this detail from Ethiopian artist Elias Sime’s collaged wall panel at James Cohan Gallery. Abstract yet suggestive of a landscape, this piece is testament to the resourcefulness of turning manmade objects – discarded electronics – into objects recalling natural beauty. (On view at James Cohan Gallery’s Chelsea location through June 17th).

Elias Sime, (detail) Tightrope: Evolution 2, reclaimed electrical wires on panel, 91 x 94 inches, 2017.

Jim Campbell at Bryce Wolkowitz Gallery

New media artist Jim Campbell is known for deliberately low-res projections of crowds and individuals in movement. The focus of his current solo show at Bryce Wolkowitz Gallery – images and video from January’s Women’s March in DC – is serendipitous subject matter for the artist. In this layering of still images on a lightbox, many people (and metaphorically, points of view) come together to suggest a mass action. (At Bryce Wolkowitz Gallery in Chelsea through June 17th).

Jim Campbell, Untitled, c-print, Plexiglas, light box, 32 x 48 x 5 inches, 2017.

Martha Cooper at Steven Kasher Gallery

Chelsea’s skyline – dotted with construction cranes – is a constant reminder of how much the neighborhood and city is transforming; for an even more eye-popping view of how much the city has changed, visit legendary street photographer Martha Cooper’s photos at Steven Kasher Gallery from the 80s. Here, Cooper captures a two-car painting by Duster Lizzie that demonstrates how transgressive ambition changed the landscape of New York. (At Steven Kasher Gallery in Chelsea through June 3rd).

Martha Cooper, Two Whole Cars in Straight Letters and Wild Style by Duster Lizzie, Bronx, NY, 1982, archival pigment print, 30 x 40 inches, printed 2017.

Deborah Butterfield at Danese Corey Gallery

Man meets nature in this bronze sculpture by Deborah Butterfield, who has cast wood and marine debris collected from the Gulf of Alaska into one of her signature, horse sculptures. Butterfield’s sensitive renderings of horses bring us closer to the natural world; here, they poignantly speak to nature’s endurance in the face of environmental degradation. (At Danese Corey Gallery in Chelsea through June 23rd).

Deborah Butterfield, Orenji, unique cast bronze with patina, 25.75 x 26.5 x 10 inches, 2017.