Lao Tongli in ‘Transitions’ at Chambers Fine Art

Lao Tongli’s organic forms stand out against a black background, suggesting that they populate some dark, interior space despite their color. Though they look like plant forms or stylized tree branches, their resemblance to blood vessels is appropriate, having been inspired by Tongli’s fathers’ long struggle with heart disease. (On view at Chambers Fine Art in Chelsea through Sept 2nd).

Lao Tongli, (detail of) Horizon, Positive Negative Zero Zero 03, ink and minerals on silk, 54 ¼ x 54 ½ x ½ inches, 2017.

Derrick Velasquez in ‘No Lemon, No Melon’ at Flowers Gallery

With their staggered placement, Derrick Velasquez’s hand-cut strips of marine vinyl, draped over a wooden support, have shaggy ends recalling hair or fur. From close or afar, they’re pleasingly ordered but the visceral colors and bright yellow accents really bring the piece to life. (At Flowers Gallery in Chelsea through Sept 2nd).

Derrick Velasquez, (detail of) Untitled 165, vinyl, mahogany, 38 x 35 x 1 inch, 2017.

Max Hooper Schneider in ‘Mutations’ on the High Line

Locks of real and synthetic hair move like undersea plants in LA artist Max Hooper Schneider’s eye-catching aquarium installation on Manhattan’s High Line park. Long drawn to aquariums as hobby and art objects, the artist gathered materials from minerals to freeze-dried vegetables to create a seabed built from layers of consumer culture detritus. (On view through March 2018).

Max Hooper Schneider, Section of Intertidal Landscape (Hair Metastasis) on the High Line, July 2017.

Joan Bankemper in ‘Summer Gardens’ at Nancy Hoffman Gallery

Gardens are Joan Bankemper’s inspiration, whether she’s crafting a vase-form covered in flowers and bees or helping plan community gardens. At Chelsea’s Nancy Hoffman Gallery, Bankemper combines handmade and found flowers, vessels and spiritual beings in this riotous sculpted garden. (On view through Sept 1st).

Joan Bankemper, Morning Glory, ceramic, 32 x 18 x 18 inches, 2012.

Teresita Fernandez in ‘From a Whisper to a Scream’ at Lehmann Maupin Gallery

Shortly after Teresita Fernandez made this rainbow made of acrylic cubes, she exhibited it with other sculpture to create a beautiful, stylized garden from man-made materials. With water as a theme, Fernandez also showed a swooping waterfall crafted from curving blue and white plastic alongside this rendering of light refracted in mist. (At Lehmann Maupin Gallery’s Lower East Side location through Sept 1st).

Teresita Fernandez, 3:37pm, acrylic, mixed media, 57.48 x 274.8 x .98 inches, 2001.