Ruby Sky Stiler at Nichelle Beauchene Gallery

Brooklyn-based artist Ruby Sky Stiler takes the seated nude to a new level with her ten-foot tall female figure.  Carved from foam, its stepped form nevertheless suggests weighty ancient architecture embellished with images of power-wielding women. (At Nichelle Beauchene on the Lower East Side through Oct 6th)  

Ruby Sky Stiler, Seated Woman, foam, acrylic resin, thermal adhesive, 2013.

Sol LeWitt at Paula Cooper Gallery

When iconic Minimalist/Conceptualist artist Sol Lewitt moved to Italy in the 70s, his palette veered dramatically toward the colorful, evident here in what the New York Times has called ‘2,448 sq ft of visual sumptuousness.’  The huge installation is one of the approximately 1,200 wall drawings the artist conceived of in his lifetime, and is an arresting blast of color and form.  (at Chelsea’s Paula Cooper Gallery through October 12th.    

Sol LeWitt, installation view of ‘Wall Drawing #564:  Complex forms with color ink washes superimposed,’ (1988) Paula Cooper Gallery, Sept 2013.

Greg Haberny at Lyons Wier Gallery

Considering the profuse detail of the 2-D collages, floor covering and pencil-studded ceiling of his installation at Chelsea’s Lyons Wier Gallery, it comes as no surprise that Greg Haberny was diagnosed with ADHD as a child.  The frustration of a childhood defined by medicines and misdiagnoses comes through loud and clear.  (Through October 5th).  

Greg Haberny, installation view of ‘Burn all Crayons’ at Lyons Wier Gallery, Sept 2013.

Charline von Heyl at Petzel Gallery

Is it a serpent?  A leg in fishnet stockings?  A feathered neck?  None of the above?  New York based German artist Charline von Heyl’s latest paintings at Chelsea’s Petzel Gallery come loaded with associations for viewers willing to engage the myriad suggestions.  (Through October 5th)  

Charline von Heyl, Pancalist, acrylic on canvas, 2012.

Penelope Umbrico at LMAK Projects

During a Smithsonian Artist Research Fellowship, Penelope Umbrico photographed cameras from the museum’s collection and printed them, applying Photoshop’s ‘Old Style’ filter, and creating this rather forelorn selection of specimens which rest under a projection of a mountain (used as a subject by Ansel Adams) photographed using hundreds of filters available on dozens of smartphone apps.  (At LMAK Projects on the Lower East Side through Oct 20th).  

Penelope Umbrico, 136 Mini Film Cameras in the Smithsonian Institution History of Photography Collection with Old Style Photoshop Filter, archival pigment prints on Hahnmuhle Photo Rag paper, 2013.