For his latest New York solo show, New Jersey based artist Willie Cole turns a whimsical arrangement of women’s shoes into a towering, 6 foot tall bronze sculpture recalling a Yoruban deity; a literalized example of power dressing. (At Chelsea’s Alexander and Bonin Gallery through Nov 16th)
Willie Cole, The Sole Sitter, bronze, 2013.
Brazilian artist Marepe continues to use everyday materials, simply transformed to achieve big effects. In his latest solo show at Chelsea’s Anton Kern Gallery, he transforms two bikes into a stationary creature with human head and fish-like tail, a hybrid that suggests literal and figurative possibilities for forward movement. (Through Dec 14th).
Marepe, Cabeca Ciclica, bicycles and wood, 2012.
Leipzig-based painter Christoph Ruckhaberle’s stylized dance scene against a blue sky and green grass sets up a comparison with Matisse’s 1909 ‘Dance,’ but knowingly offers us subjects whose weightiness and modesty are grounded in the everyday, despite the peppy wallpaper. (At Chelsea’s Zieher Smith Gallery through Nov 16th).
Christoph Ruckhaberle, Untitled, acrylic and oil on canvas, 2013.
Ceramics are increasingly visible in Chelsea galleries this fall, particularly in a show of artists who use clay in innovative ways at Ricco Maresca Gallery. These sculptures by Carole Seborovski merge natural forms with abundantly decorated surfaces in intriguingly odd combinations. (Through Nov 16th ).
Carole Seborovski, Summer of Love (foreground), clay, medium/low fire glaze, platinum/gold luster, ceramic decals, and gold leaf, 2011.
Explaining that his carefully color-calibrated combinations of shapes are meant to evoke both fragmentation and interconnectedness, Philadelphia-based artist Odili Donald Odita applies his characteristic geometric abstractions directly to the walls creating an optical AND physical impact. (At Jack Shainman Gallery through Nov 16th).
Odili Donald Odita, Rain Forest acrylic latex wall paint, dimensions variable, 2013.
