Leo Villareal at Pace Gallery

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Can you capture the feeling of a sunset and make it last?  New media artist Leo Villareal has explained that his latest ‘digital sculptures’ – LED lights and electronics behind acrylic panels – at Chelsea’s Pace Gallery, have a similar effect to watching natural phenomena.  Titled ‘Interstellar’ and inspired by images from space, including photos from the James Webb Telescope, the new wall-mounted works manifest in a range of palettes, from calming blue/greens to blazing yellow/orange tones.  Powered by custom coding, the imagery constantly morphs, enticing viewers to linger.  (On view through April 29th).

Leo Villareal, installation view of ‘Interstellar’ at Pace Gallery, April 2023.

Shellyne Rodriguez at PPOW Gallery

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New Yorkers get on with their business, striding forward in this colored-pencil on black paper drawing by Bronx-based artist Shellyne Rodriguez at PPOW Gallery in Tribeca.  Informed in layout by ‘80s Hip Hop poster designs by Buddy Esquire, Rodriguez’s diagram includes the upbeat phrase ‘together but separately and in agreement’ in English, Spanish, Twi, Kichwa and other languages.  Sourced from a Zapatista text, the words “show how our autonomy can be embedded within our collectivity.” (On view in Tribeca through April 22nd).

Shellyne Rodriguez, BX Third World Mix Tape no. 4, Caminos (Slow and Steady), color pencil on paper, 62 x 46 inches, 2022.

Tony Cragg at Lisson Gallery

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Protesters and police clash in a blaze of color in British sculptor Tony Cragg’s 1987 piece ‘Riot’ a sculptural installation running the length of one of Lisson Gallery’s Chelsea spaces.  Forty years ago, Cragg made a name for himself with artworks and installations composed of found plastic elements, a material that lacked the associations carried by more traditional media like bronze, marble or wood.  Inspired by social unrest in ‘80s Britain, Cragg employs a modern material, fragmented and formerly discarded, to illustrate conflict between citizen and state. (On view in Chelsea through April 15th).

Tony Cragg, detail of installation of Riot, 1987 at Lisson Gallery in Chelsea, March ’23.

Helen Frankenthaler at Gagosian Gallery

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Helen Frankenthaler’s abstract paintings allude to landscapes and moods; a showcase of the artist’s work from the ‘90s at Gagosian Gallery conveys the pleasures of colors and feelings observed in nature.  Pioneer of an influential staining technique in mid-century American abstraction, Frankenthaler here adds an overt, textured brushstroke that emphasizes the surface of the canvas.  Appearing to hover over aqua-toned pools of color and an underlying dark depth, the long orange mark sets in play a complicated and shifting illusion of depth. (On view through April 15th on 24th Street in Chelsea).

Helen Frankenthaler, Poseidon, acrylic on canvas, 70 ¾ x 100 inches, 1990.

Gerhard Richter at David Zwirner Gallery

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Though they were finished over five years ago, 91 year old German artist Gerhard Richter’s ‘final paintings’ from 2016-17 at David Zwirner Gallery feel current; together with smaller-scale work on paper, the paintings have been a ‘must-see’ since opening in mid-March.  Richter’s muscular painting process involved scraping layers of paint from the surface of his paintings with a large self-designed squeegee.  Never sure of what his technique would yield, Richter surrendered at least part of a painting’s outcome to chance; the resulting images embody movement, resisting the static quality of a finished piece. (On view in Chelsea through April 29th).

Gerhard Richter, Abstraktes Bild (Abstract Painting), oil on canvas, 78 ¾ x 98 3/8 inches, 2016.