Inspired by early Christian and Mesopotamian building practices that imbued built structures with spiritual meaning, young Brooklyn-based artist Jeff Landman transformed timbers from a Pennsylvania barn into furniture-like platforms for transcendent experience for his first solo show at Tracy Williams, Ltd. (In Chelsea through Feb 22nd).
Jeff Landman, installation view of ‘Working on a Building,’ with ‘Bed,’ white oak, linen, 2013 in the foreground. Tracy Williams, Ltd., Feb 2014.
Though Minimalist artist Dan Flavin’s fluorescent light tubing sculputres are well-known, his editioned work on paper is less often exhibited. At David Zwirner Gallery’s 20th Street Chelsea location, this scrolled handmade paper is a cylinder on a different scale but one whose color is as electric as his signature works. (Through March 1st).
Dan Flavin, untitled, double-sided color aquatint printed in violet and yellow on Twinrocker handmade paper, rolled and stitched, 7 3/8 x 30 x 8 1/8 inches, 1994.
Small and meticulously handmade, New York artist Lori Ellison’s untitled ink on notebook paper drawings on view at McKenzie Fine Art on the Lower East Side jettison high production values in favor of an absorbingly obsessive art practice. (Through Feb 16th).
Lori Ellison, Untitled, ink on notebook paper, 11 x 8 ½ inches, 2013.
Fans of Marilyn Minter’s super realist paintings – and their sullied glitz – will want to catch her early work included in the group exhibition ‘Bad Conscience’ at Chelsea’s Metro Pictures. Here, ‘Spill’ from 1976 conveys the ‘ugh’ feeling of encountering a spilled drink on institutional linoleum. (Through Feb 22nd).
Marilyn Minter, Spill, oil on canvas, 60 x 60 inches, 1976.
John Ahearn’s plaster sculptures have memorably captured moments of New York street life for decades. Chelsea’s Alexander and Bonin Gallery is showing Ahearn’s portrait sculptures from the 1980s, made in his South Bronx studio. Here, a couple share a tight embrace that suggests struggle as much as devotion. (Through Feb 22nd).
Luis and Virginia Arroyo, acrylic on plaster, 19 ¾ x 25 ¾ x 10 3/4, 1980.