Iconic appropriation artist Louise Lawler appropriates her own appropriations in her latest show at Chelsea’s Metro Pictures gallery with this black and white tracing of an earlier work, printed on vinyl and hung on an entire gallery wall. Drained of color and magnified, the Pollock above and tureen below seem less dissimilar. (Through July 25th).
Louise Lawler, Pollock and Tureen (traced), signed certificate, installation instructions, and PDF formatted file, dimensions variable, 1984/2013.
Using digital processes, Korean artist Kim Joon creates amazing conflations of human bodies, ‘tattooed’ with animal skins, logos and designs that touch on individual identities while creating anonymous abstract sculptures. (At Sundaram Tagore Gallery in Chelsea).
Kim Joon, Somebody 005, digital print, 2014.
Drawing on Japanese pop culture and a predilection for nature, Seattle-based Japanese artist Yumiko Kayukawa’s exhibition at Foley Gallery on the Lower East Side strikes a clever balance between irony and kitsch. (Through July 12th).
Yumiko Kayukawa, Ominugui (Cleaning), acrylic on linen, 22 x 18 inches, 2013.
Last summer, Sarah Sze transformed the US Pavilion at the Venice Biennial inside and out with a super abundance of very precisely arranged objects. In Chelsea, Tanya Bonakdar Gallery celebrates 20 years with a group exhibition that includes a piece by Sze from 1997, originally situated by a Greek harbor. Pills, nuts, soy sauce packets and other ephemera of everyday life look like a strangely contemporary votive offering. (Through August 1st).
Sarah Sze, Untitled (Thessaloniki), mixed media, 1997.
New York photographer Suzanne Opton creates a surprisingly intimate situation between gallery visitors and her subjects – soldiers who are back in the US after a tour of duty in Iraq or Afghanistan. Reclining on a flat surface, their presence and vulnerability is palpable. (At Sikkema Jenkins & Co in Chelsea through July 18th).
Suzanne Opton, installation view at Sikkema Jenkins & Co, June 2014.