In colors that suggest political banners, Dusseldorf-based artist KRIWET created this bold ‘comic strip’ in 1970, using letters to create mental pictures. It is part of the group exhibition ‘All Watched Over’ at Chelsea’s James Cohan Gallery, which muses on the power of futuristic technology to improve life. (Through Aug 7th)
KRIWET, Comicstrip, 1970.
Ceramic artists Amy Bessone and Matthias Merkel Hess meet in Salon94 Freemans for a two-person show juxtaposing her female torsos, shaped as empty vessels (maybe vases?), and his containers derived from everyday items like paint buckets and wastebaskets. Bessone’s containers pick up on the long association between vessels and the female body in art history, and provocatively change Hess’s work by their proximity. (On the Lower East Side through August 21st).
Installation view of Torsos and Buckets, featuring work by Amy Bessone and Matthias Merkel Hess, July 2015.
Given that Marlborough Gallery’s first show in its Lower East Side space was themed on pizza, an exhibition titled ‘Marlborough Lights’ had to happen sooner or later. Here, Josh Smith’s jack o’ lantern basketball lights the way back to Sadie Laska’s magically glowing, alien-like creature and Oscar Tuazon’s blocky, street-light-like lamp. (Through Aug 1st).
Josh Smith, Illuminated Jackal Lantern Basketball, ceramic, wooden stool, light bulb, socket and wire, ceramic: 8 ½ x 8 ½ inches, 2015.
Cardboard boxes are an inspired background for Berlin-based artist EVOL’s spray paintings of elements lifted from gritty urban facades. (At Jonathan LeVine Gallery in Chelsea through July 25th).
EVOL, Berliner Luft, spray paint and mixed media on cardboard, 28 11/16 x 36 9/16 inches, 2015.
How do you make a show that’s the ‘antithesis of a white male abstract painting show?’ With inclusiveness and anti-status quo intentions, artist and curator Mae Fatto has hung work by female (and male) artists who push the idea of what abstract art should be – from Wilder Alison’s banner-like work hanging from the rafters to Annabeth Marks’ soft-shaped intense blue canvas to Ana Cardoso’s acrylic and digital print panels stretching up the gallery walls. (At Rachel Uffner Gallery on the Lower East Side through July 31st).
Installation view of ‘Old Truths and New Lies’ at Rachel Uffner Gallery, July 2015.