Farah Al Qasimi with Public Art Fund

Waiting for the bus (or just walking past the bus stop) isn’t quite so mundane if you’re fortunate enough to encounter one of 100 bus shelters in all five boroughs currently hosting Farah Al Qasimi’s photographs.  Brooklyn-based Al Qasimi cites her upbringing in the Emirates for her attraction to an abundance of color and pattern and explains that in her series ‘Back and Forth Disco,’ presented by the Public Art Fund, personal style choices combat anonymity in the city.  In this image, spotted on Graham Avenue in Brooklyn, a woman performs a beauty treatment, blocking the procedure but enlivening the salon’s subtle décor with her own vibrant outfit.  (On view through May 17th.)

Farah Al Qasimi, from the series Back and Forth Disco, presented by Public Art Fund, 2020.

Matthew Blackwell at Edward Thorpe Gallery

Under a darkening sky, a classic car speeds along an elevated city highway under a dollar sign and two maps of the US in this painting by Matt Blackwell. In the car, a bearded man with gritted teeth (succinctly crafted from a scrap of plaid fabric) grips the steering wheel, seemingly on a lone mission of intense urgency. (At Edward Thorp Gallery in Chelsea through March 19th).

Matt Blackwell, Going Out West, oil on canvas with collage, 44 x 64.5 inches, 2015.

Matt Blackwell, Going Out West, oil on canvas with collage, 44 x 64.5 inches, 2015.
Matt Blackwell, Going Out West, oil on canvas with collage, 44 x 64.5 inches, 2015.

Marc Ganzglass in ‘Work Order, Change Order’ at Mitchell-Innes & Nash

Brooklyn’s McCarren Park – equally popular among Williamsburg hipsters and brawling youth – has been renovated to the tune of millions in recent years; New York artist Marc Glanzglass’ beautifully austere steel fence titled, ‘McCarren Fence,’ acknowledges the preciousness of the place as well as its divisions.  (At Mitchell Innes & Nash in Chelsea through Feb 1st).  

Marc Ganzglass, McCarren Fence, steel, 2013.