Guido van der Werve at Luhring Augustine, Monitor & GRIMM Galleries

One of Dutch artist Guido van der Werve’s best known performances involved walking just 16 yards in front of an ice breaking ship in the Baltic sea, an example of the physical punishment and risk he’s willing to endure for his art.  Now for a new on-line exhibition, Luhring Augustine Gallery, GRIMM Gallery and Monitor Gallery are teaming up to present still photographs from the artist’s mind-bending 2012 performance ‘Nummer Veertien, home,’ for which he swam, biked and ran 1,200 miles across Europe.  Van der Werve’s journey began at the location of Chopin’s interred heart (Warsaw) and ended at the Pere Lachaise cemetery in Paris where the rest of the composer’s body is buried.  In Paris, the artist delivered a small container of soil from outside Chopin’s childhood home, connecting the two places and creating a profound link between his own history and that of his favorite composer.  (On view through June 19th).

Guido Van Der Werve, Nummer acht, Everything is going to be alright, 16mm to HD, 10 minutes, 10 seconds, 2007.

Broomberg & Chanarin at signsandsymbols.art

London and Berlin-based artists and photography professors Adam Broomberg & Oliver Chanarin’s short film, ‘The Bureaucracy of Angels’ grabs the imagination immediately with an unlikely casting choice; the star of the show – a mechanical wrecking arm – makes a riveting appearance as a soulful ballad singer lamenting the pain of migration.  Currently available to watch via the Lower East Side gallery Signs & Symbols’ website, the piece’s premise is absurd but the effect is first mesmerizing, then moving.  Part destroyer, part guardian, the machine keeps watch over migrants being intercepted by rescue agencies before eventually wrecking boats abandoned by travelers who made it to Sicily.  (Available online at signsandsymbols.art through May 13th).

Broomberg & Chanarin, still from ‘The Bureaucracy of Angels,’ 2017.

Meriem Bennani 2 Lizards and Siham & Hafida

Two Moroccan women navigate the changing face of traditional Aita music in Meriem Bennani’s mesmerizing video ‘Siham & Hafida’ from ’17, seen here at The Kitchen in a photo from New York Art Tours’ archive.  Two quite different characters – a pair of lizards in Brooklyn – navigate a separate set of challenges in Bennani’s new video series, launched with filmmaker friend Orian Barki in mid-March as a break from COVID-19 mandated isolation.  Entertaining and short, the videos speak to the surreal quality of life during the pandemic. (Episode OneEpisode Two).

Meriem Bennani, still from the video installation Siham & Hafida, The Kitchen, 2017.

Larry Bell at Hauser & Wirth Gallery

Operating under the premise that, “Art makes a positive difference at all times and in all circumstances” Hauser & Wirth Gallery has reverted to on-line exhibitions and other Internet-accessible strategies to make art available.  The gallery’s recently released exhibition walk-through with Light and Space artist Larry Bell wonderfully conveys Bell’s exploration of how glass ‘reflects, absorbs and transmits light.’   We can’t visit the artist’s reflective glass panels right now (seen here in a smaller sculpture), but the next best thing is watching him activate his ‘Standing Wall’ installations to shift the space around him.

Larry Bell, Iceberg SS, French Blue, Capri Blue, Periwinkle, and Turquoise laminated glass, 4 parts, unique, dimensions variable, 2020.

Allison Schulnik at PPOW Gallery on and Vimeo

‘Moth,’ a 3-minute stop motion animation by Allison Schulnik was a highlight of her PPOW Gallery show in Chelsea and is also available on Vimeo.  Over 14 months, Schulnik painted gouache on paper frames for the piece, following a moth’s unconventional metamorphosis into a variety of creatures.  Created after a move from LA to the desert landscapes of Sky Valley, CA, and while becoming a mother, Schulnik’s personal transformation inspired an engrossing mediation on change.  (Chelsea’s PPOW Gallery is closed to the public to help stop the spread of COVID-19, but Moth can be seen on Vimeo).

Allison Schulnik, still from ‘Moth,’ 2019.