David Hammons at The Drawing Center

The US flag is shelter and garment for the individual depicted in this 1969 body print/screenprint by David Hammons, now on view in a powerful show of Hammons’ meticulous body prints at the Drawing Center.  Made by applying oil to his skin, pressing his body to paper and applying powdered pigments, the print is one of many that incorporate the US flag to question its meaning for Black communities.  (On view in SoHo through May 23rd.  Appointments, masks and social distancing required.  Admission charges waived).

David Hammons, Pray for America, screenprint and pigment on paper, 1969.

Sonya Kelliher-Combs in ‘Ecofeminism(s)’ at Thomas Erben Gallery

Last summer’s popular group show ‘Ecofeminism(s)’ at Thomas Erben Gallery, curated by Monika Fabijanska, has reopened after the summer break for another brief run.  Audiences can take in artworks by iconic artists who probe human relationships to nature and get another chance to check out Alaska-based Sonya Kelliher-Combs’ delicately crafted ‘Mark, Polar Bear,’ which veils the U.S. flag with polar bear fur. (On view in Chelsea through Sept 26th.  No appointment is necessary but visitor numbers are limited and masks are required.)

Sonya Kelliher-Combs, Mark, Polar Bear, acrylic polymer, polar bear fur, fabric flag, metal brackets, 40 x 65 inches, 2019.

Sterling Ruby at Hauser and Wirth Gallery

LA-based art star Sterling Ruby turns his signature, stalactite-like urethane sculptures into quasi-Greek columns with a backdrop painting recalling American quilting traditions, tie-dying, Color Field painting and the colors of the US flag. Grand themes abound in an ambitious show that treats icons of art and history with a provocative mix of reverence and distain. (At Hauser & Wirth Gallery through July 25th).

Sterling Ruby, (foreground) Pillars, PVC pipe, foam and urethane, (rear) FLAG (4791) bleached and dyed canvas and elastic, 2014.