Hope Gangloff at Susan Inglett Gallery

Do you think Hope Gangloff’s friend Yelena likes patterns? With abundance that recalls Matisse post-Morocco, the upstate painter gives us an explosion of color and design to delight the senses. (At Chelsea’s Susan Inglett Gallery through June 6th).

Hope Gangloff, Yelena, acrylic and collage on canvas, 82 x 45inches, 2015.

Airan Kang at Bryce Wolkowitz Gallery

Some books electrify the reader, some illuminate our understanding; few do so as literally as in South Korean artist Airan Kang’s glowing volumes now on show at Bryce Wolkowitz Gallery in Chelsea. (Through June 13th).

Airan Kang, installation view of ‘The Luminous Poem,’ May 2015.

Christopher Wool at Luhring Augustine

First, a tangle of barbed wire, then a looser, smoother mass of looping lines in bronze greets visitors to Christopher Wool’s latest solo show at Luhring Augustine in Chelsea. In contrast to the inherently dangerous barbed wire, the larger sculptures are freer, suggesting unraveling string or cooked spaghetti dried out, as well as drawn lines unleashed into three dimensions. (In Chelsea through June 20th).

Christoher Wool, installation view at Luhring Augustine Gallery, May 2015.

Yinka Shonibare at James Cohan Gallery

Few these days think that the gods are responsible when an earthquake or tsunami hits, but British/Nigerian artist Yinka Shonibare pictures the wrath of Zeus (background) and Poseidon (front right) to comment on climate change in his latest solo show at James Cohan Gallery. Placed directly on the floor in their bold (signature Shonibare) fabrics, the gender-bending divine dancers emanate power.

Yinka Shonibare, installation view of ‘Rage of the Ballet Gods’ at James Cohan Gallery, May 2015.

Cameron Jamie at Barbara Gladstone Gallery

Known for videos and drawings channeling disillusioned angst, Cameron Jamie takes a new direction with ceramics that suggest natural forms and which are simultaneously object and pedestal. Undulating stalagmites at bottom have a fecal quality while resembling curving bodies; the top form in the foreground brings to mind vertebra or coral. (At Barbara Gladstone Gallery on West 24th Street through May 30th).

Cameron Jamie, installation view of untitled, glazed ceramic sculptures, May 2015.