Cage-based artworks from the ‘60s to the early ‘80s by late, Paris-based Japanese artist Tetsumi Kudo at Andrea Rosen Gallery demonstrate human estrangement from nature. Despite the bright colors, a heart shape, plastic flowers and the label reading ‘Bonheur,’ happiness seems far from this abject couple’s experience. (In Chelsea through Nov 16th).
A velociraptor and protoceratops replica skeleton watch over an exhibition at Andrea Rosen Gallery of thought-provoking objects dedicated to the idea of perpetual adaptation and change. On the floor, Anne De Vries pictures crowds on odd-shaped, organic forms. To the right, Tetsumi Kudo’s plastic and polyester flower, references growth post-nuclear contamination. (In Chelsea through January 23rd).
Installation view of Asdzaa Nadleehe at Andrea Rosen Gallery, December 2015.
