Swiss fiber artist Francoise Grossen moved her textiles moved off the loom in the ‘60s, creating bold and colorful sculpture that existed in three dimensions. This large piece from 1977 is a highlight of the Shah Garg Foundation’s first public exhibition of its museum-quality collection featuring over eighty artists. Abstract and constructed from manila rope, this sculpture was nevertheless inspired by functional objects including rope bridges, ship lines and the ancient Incan recording device, the quipu. On the wall beyond Grossen’s piece, a more contemporary textile-based work by Tau Lewis uses recycled fabric to form a head inspired by Yoruban mask drama. (On view through March 23rd in Chelsea, at the Berkeley Art Museum and Pacific Film Archive in Sept ‘24 and Kemper Art Museum, St Louis in Sept ’25).
Tag: tau lewis
Tau Lewis at 52 Walker
Six monumental heads tower over visitors to Tau Lewis’ installation of totemic sculptures at 52 Walker in Tribeca, offering a conduit to encounter the divine. Calling Lewis’ new pieces a ‘new mythology’ and a ‘corporeal arena for those who move between temporal and heavenly realms,’ the gallery presents itself as stage for interaction inspired by Yoruban mask dramas in which masks are worn and spiritually activated. Too large for actual movement, the heads convey a powerful solidity while textures and colors created from Lewis’ use of salvaged textiles nevertheless suggest imminent movement and liveliness. (On view in Tribeca through Jan 7th. Note holiday closures this week.)