Shari Mendelson at Tibor de Nagy Gallery

The centuries and cultural divides melt away like hot glue in Brooklyn sculptor Shari Mendelson’s replicas of ancient artifacts from China, Egypt, Mesopotamia and elsewhere at Tibor de Nagy Gallery.  Using plastic bottles gathered near her studio, Mendelson cuts and glues together forms, using acrylic resin to make patinas that transform trash into ancient artworks.  Here, she creates a Tang Dynasty court lady from recognizable consumer plastics, subtly nodding to the material’s long life.  (On view on the Lower East Side through Dec 5th).

Shari Mendelson, Praying Lotus Woman, repurposed plastic and mixed media, 17 x 10 x 11 inches, 2020.

XU ZHEN at James Cohan Gallery

Ancient and 20th century, Chinese and European cultural heritage come into direct contact in XU ZHEN’s sculpture of a Tang Dynasty warrior holding Brancusi’s ‘Sleeping Muse.’  Currently part of an exhibition at James Cohan Gallery that has transformed the exhibition space into a garden with walking paths that replicate protest marches, the piece aims to provoke conversation on many levels.  (On view on the Lower East Side through April 22nd).

XU ZHEN, Eternity-Painted Terracotta Statue of Heavenly Guardian, Sleeping Muse, bronze, mineral composites, mineral pigments, steel, 79 1/8 x 33 5/8 x 17 5/8, 2016.

Xu Zhen in ‘By Proxy’ at James Cohan Gallery

Shanghai artist-provocateur Xu Zhen shows a piece from his ‘Eternity’ series at James Cohan Gallery that literalizes the idea of ‘East meeting West’ in an absurd combination of classical refinement and enlightenment. (In Chelsea through Jan 17th).

Xu Zhen, Eternity-Aphrodite of Knidos, Tang Dynasty Sitting Buddha, glass fiber-reinforced concrete, marble grains, sandstone grains, mineral pigments, steel, 139 ¾ x 35 13/16 x 35 13/16 inches, 2014.