Two types of chilis, lemongrass and an emergency blanket are some of the unconventional materials Myranda Gillies sourced from stores in her Brooklyn neighborhood to create this loomed work at Susan Inglett Gallery in Chelsea. Granddaughter of famed assemblage artist George Herms, Gillies shares the gallery with his sculpture, inviting a comparison between two artists whose materials are something to talk about. (On view through July 28th).
This ‘Front Door Still Life’ by New York painter Hope Gangloff updates the still life genre with invigorating blasts of color. A timepiece and flowers nod to traditional Dutch still life reminders of the brevity of life while keys and a canister of Chinese tea speak of going places and a Reagan stamp on one piece of mail references the politics of the day. (At Chelsea’s Susan Inglett Gallery through April 22nd).
Benjamin Degen, Fast Swimmer, oil on linen over panel, 72 x 48 inches, 2015.
Anna Betbeze’s process of cutting, tearing and burning Flokati rugs while coloring them with acid dyes leaves a textile that both attracts and repulses. Hanging from the wall like a sagging pelt in Susan Inglett Gallery’s summer group show ‘Body/Image,’ this piece looks as if it could once have been alive. (Through July 31st).
Anna Betbeze, Playtime, acid dyes, ash on wool, 144 x 118 inches, 2015.
Do you think Hope Gangloff’s friend Yelena likes patterns? With abundance that recalls Matisse post-Morocco, the upstate painter gives us an explosion of color and design to delight the senses. (At Chelsea’s Susan Inglett Gallery through June 6th).
Hope Gangloff, Yelena, acrylic and collage on canvas, 82 x 45inches, 2015.
