Karen Lederer’s ‘Hipster Wellness’ is a standout in Driscoll Babcock’s summer group show of painting by young artists who follow new approaches to traditional still life. Bright colors dominate, particularly a glowing bowl of Cheetos, which balances the orange color squares on an art book about Josef Albers. Painted as if seen in digital space, the picture includes Lederer’s own hand, not wielding a brush but as if poised to take a selfie. (In Chelsea through Aug 12th).
Sarah Sze’s installations have been characterized as organized chaos; her latest solo show aims to bring the mess and spontaneous decision-making of an artist’s studio into the gallery, yet the feeling of control is palpable. Torn paper, carefully spilled paint, and hanging sheets of plastic suggest a carefully arranged work in progress. (At Tanya Bonakdar Gallery in Chelsea through Oct 17th).
Sarah Sze, installation view at Tanya Bonakdar Gallery, Sept 2015.
For her last series, late Pictures Generation photographer Sarah Charlesworth used available light coming from her studio window to illuminate carefully chosen objects. Here, a glass holding a sphere has the meticulous quality of product photography, but it sells nothing, instead it turns everyday objects into something serenely magical. (At the New Museum through Sept 20th).
Sarah Charlesworth, Carnival Ball, from the ‘Available Light’ series, Fuji Crystal Archive prints with lacquered wood frames, 2012.
Stockholm-based artist Anton Alvarez has turned Salon94’s Freeman Alley space into his studio this month to construct new works using his ‘thread wrapping machine.’ Pictured here with an assistant, Alvarez (rear) guides an object into the machine’s opening, allowing glue coated thread (each a different color) to wrap around and create a pattern. (Through May 9th – see Salon94.com for a schedule of Alvarez’s studio hours).
Anton Alvarez, installation view of ‘Wrapsody,’ at Salon94 Freemans, April 2015.
Known for cheeky stop-motion animations made by photographing thickly textured paintings, Brooklyn artist Yui Kugimiya settles into a vividly colored, thickly painted non-moving images for her current show at Marlborough Gallery’s LES location. Painted as she looked out of her studio window at the East River, their Fauve color and style offers an intensely personal view of the city and here, its geese. (Through Dec 21st).
Yui Kugimiya, Geese on East River – One – 2, oil on canvas, 16 x 16 inches, 2014.
