Peg board, orange plastic wrap, beard hair and other unexpected art materials create surprise and immediacy in Aaron Fowler’s meditative self-portrait at Totah Gallery on the LES. Salon94 Gallery, which also showed Fowler’s work earlier this month, explains the donkey “…as a symbol of human imperfection and signifying the potential for transformation.” (On view through Aug 26th at Totah Gallery).
An all-powerful, muscular man subjugates woman and destroys nature in a series of potent paintings by Judy Chicago from 1984, now on view at Salon94. His invincible nature comes into question, however, in this painting from a triptych titled ‘Rainbow Man,’ in which he strains to bend a rainbow that snaps out of his hands and boomerangs back into shape. More than thirty years after being painted, the artist’s warning has only become more relevant to contemporary attitudes to the earth and the environment. (On view on the Lower East Side through March 3rd).
You don’t even have to be a dog lover to appreciate William Wegman’s videos with his Weimaraners May Ray and Fay Ray. Here, the duo watches an off-screen ball with rapt attention, creating a mesmerizing, slow-motion dance performed with the utmost concentration. See this video and more early Wegman videos at Salon 94 Freemans on the Lower East Side. (Through Oct 27th).