Anya Gallaccio at Lehman Maupin Gallery

In the past, British artist Anya Gallaccio has left red gerbera flowers to rot, covered walls with chocolate and placed a 32-ton block of ice to melt in a disused pump station, all as part of an art practice based on experimentation and manipulation of natural materials. In these stone pieces, she considers longer spaces of time – the effect of heat and pressure on minerals over the millenia. (At Lehman Maupin Gallery on the LES through Feb 15th.)

Anya Gallaccio, installation view at Lehman Maupin Gallery, (foreground) Lay my head, lavignes (stripes), mount ashen, texas cream, black granite and green chirt, 51 x 56 x 48 inches, 2014.

Matthew Brandt at Yossi Milo

Known for his creativity with photo printing processes (he presented heliographs created with tar from the La Brea Tar Pits in his last show) LA artist Matthew Brandt created this piece from his ‘Burnout’ series by using acid to thin out areas of velvet on which he’s reproduced an image of a garment created with the same burnout process. (In Chelsea at Yossi Milo Gallery through August 29th).

Matthew Brandt, from the series Burnouts, SR03A, silkscreen print on silk velvet with acid treatment, 54 ¼” x 42 1/2,” 2014.

Sam Moyer at Rachel Uffner Gallery

Sam Moyer, known for working her canvases over with ink and bleach, pairs up weathered cloth (on top) with slabs of marble (below), making a knowing comparison between her own process art and nature’s rather slower processes. (At Rachel Uffner Gallery on the Lower East Side through June 8th).

Sam Moyer, Zola, stone, ink on canvas mounted to mdf panel, 80 x 69 x .75 inches, 2014.