‘African American: Photographs from the 1940s and 1950s at the Metropolitan Museum of Art

One hundred and fifty studio portraits of unidentified African Americans by unknown photographers now on view at the Metropolitan Museum of Art offer a fascinating peek at self-representation in the mid-20th century.  By recently acquiring two major portrait groups represented in the show, the Met announces its intention to build its collection to include images of African Americans.  (On view on the Upper East Side through October 8th).

Installation view of ‘African American: Photographs from the 1940s and 1950s at the Metropolitan Museum of Art, July 2018.

Duke Riley at Magnan Metz Gallery

Last year, from the decks of a decommissioned Navy ship, artist Duke Riley orchestrated dramatic light shows with over one thousand pigeons carrying LED lights on their legs. If the birds seemed anonymous as they put on a light show in the dark, their identities come into focus now at a two-gallery exhibition of related artwork, including a room of hand-painted and embroidered portraits of 1,000 birds. (On view at Magnan Metz Gallery’s pop up location at 524 West 26th Street and 521 West 26th Street through Oct 21st).

Duke Riley, installation view of ‘The Armies of the Night,’ embroidery and paint on canvas, 14 x 9 inches, 2017.

Lynette Yiadom-Boakye at Jack Shainman Gallery

Though British artist (and writer) Lynette Yiadom-Boakye’s figures look like portraits, they come from her imagination. The title of this piece, ‘Attention from the Righteous,’ suggests a condescending character, but this young man’s lively eyes and soft expression make him immediately likeable. (At Chelsea’s Jack Shainman Gallery through Jan 10th).

Lynette Yiadom-Boakye, Attention From the Righteous, oil on canvas, 19 ¾ x 18 inches, 2014.

Jane Corrigan at Kerry Schuss

Jane Corrigan blends average looks and extraordinary hair in portraits of young female athletes, finding moments of wonder in the everyday. (At Kerry Schuss on the Lower East Side through Oct 26th).

Jane Corrigan, Windbreaker (Adidas), oil on linen, 26.5 x 31 inches, 2014.

Mickalene Thomas at Lehmann Maupin Gallery

Portraits of Picasso’s women inspired Mickalene Thomas’ latest series at Chelsea’s Lehmann Maupin Gallery, including this rhinestone and acrylic collage. Exuberant eye-brows and lashes suggest exotic bird plumage while garish, fauve colors and many sharp angles hint at the sitter’s strong personality. (Through August 8th).

Mickalene Thomas, Carla, enamel, acrylic, oil paint, glitter, rhinestones, oil pastel, graphite and silk screen on wood panel, 96 x 72 inches, 2014.