Chris Burden at the New Museum

Twice a day, a New Museum employee starts up and moves a motorcycle to maximum speed, its rear wheel causing a huge, cast-iron flywheel to spin for over two hours after the performance ends.  Chris Burden’s contraption – The Big Wheel from 1979 – contrasts the freedom of an individual on a bike with an industrially sized wheel, visibly demonstrating both labor and energy harnessed.  (On the Lower East Side through Jan 12th).  

Chris Burden, The Big Wheel, three-ton, eight-foot diameter, cast-iron flywheel powered by a 1968 Benelli 250cc motorcycle, 1979.

Ugo Rondinone in ‘Lightness of Being,’ at City Hall Park

In a more intimately-scaled followup to Swiss-American artist Ugo Rondinone’s powerful installation of stone characters at Paula Cooper Gallery this spring, the artist revives his recurring clown figure as a performer at City Hall Park.   Even asleep, this character is imposing and mysterious with his colorful nylon costume, collar of feathers and thick shawl.  (Through December 13th).   

Ugo Rondinone, dog days are over, performance, 1996/2013.

Walter Marchetti in ‘ambient’ at Tanya Bonakdar Gallery

This vegetable-strewn Steinway grand piano was the standout in Tanya Bonakdar Gallery’s otherwise spare summer group show, ‘ambient.’  It’s abundance is a foil to the hauntingly minimal musical piece ‘Natura Morta’ by Italian avant-garde composer and artist Walter Marchetti which experimental musician Alex Waterman played in the show’s first week.  (In Chelsea through July 26th).  

Walter Marchetti, Natura Morta, Steinway and Sons concert grand piano, selection of produce, 10-page handwritten manuscript of Walter Marchetti’s ‘Natura Morta,’ 1988.