Irving Penn at Pace Gallery

Irving Penn coined the term ‘Photographism’ to describe his style, a synthesis of graphic design and fine art, but the impact of his images goes beyond words.  Isolated against a white background that emphasizes strong tonal contrast and boldly outlined form, this 1971 photograph at Pace Gallery lends these two buds a hyperreality and heightened beauty.  (On view in Chelsea through Feb 13th).


Irving Penn, Imperial Pink Bud (top), Imperial Gold Bud (bottom), New York, pigment print mounted to board, 16 7/8 x 21 ¾ inches (image, paper and mount), 1971.

Adrian Ghenie at Pace Gallery

Ghosts of Van Gogh and Gauguin haunt Romanian artist Adrian Ghenie’s latest body of work, now on view at Pace Gallery.  Titled ‘Hooliganism,’ the show is inspired by the idea that beneath the attractive colors or forms of historic avant-garde painting is an explosive departure from painterly norms.  This painting recalls Van Gogh’s 1889 self-portrait made after cutting his ear but substitutes Van Gogh’s impassive stare with a face literally swirling with psychic force.  (On view through April 24th).

Adrian Ghenie, Untitled, oil on canvas, 39 3/8 x 27 9/16 inches, 2020.

Jean Dubuffet at Pace Gallery

Drawn to art made outside of the gallery system, the iconic late artist Jean Dubuffet pursued his own non-academic style in abstract installations meant to bring to mind scenes of busy urban life.  Chelsea’s Pace Gallery explains that ‘Le Cirque,’ a 13’ high sculpture from 1970 currently installed on 25th Street, recreated the ‘visual frenzy of an urban plaza.’ In an accompanying letter from the artist to his dealer, Pace founder Arne Glimcher, Dubuffet points to ancient sources of inspiration for this towering, encompassing sculpture, including stones placed at crossroads or assembled for commemoration.  (On view through Oct 24th.  Appointments, masks and social distancing are required.)

Jean Dubuffet, Le Cirque, polyurethane paint on epoxy, 13’ x 29’ x 31’, 1970-2020.

Loie Hollowell at pacegallery.com

Loie Hollowell’s abstracted portraits made during and after her first pregnancy inspired the curving organic forms showcased in her Fall ’19 show at Pace Gallery and pictured here.  Recent drawings now on view in an on-line show at pacegallery.com “…convey the uneven roundness of my body,” explains the artist.  Created around the time of her recent second pregnancy during quarantine this spring, the new work follows the changes of her morphing body and the bond between infant and mother.  (On view through July 14th).

Loie Hollowell, Postpartum Plumb Line, oil paint, acrylic medium, sawdust and high density foam on linen mounted on panel, 72 x 54 x 3.5 inches, 2019.

Nigel Cooke at pacegallery.com

After presenting paintings of lone figures at Pace Gallery’s new 25th Street headquarters in February of this year (a highlight of which is pictured here), British painter Nigel Cooke is back at pacegallery.com with new characters made while working in isolation.  Working at night has created an even more solitary environment for the artist from which he’s tried to capture how ‘perceptions are always changing when things are uncertain.’  Collectively titled ‘Midnights,’ each new work carries titles like ‘Shore,’ ‘Waiting’ or ‘Islands,’ that speak to the idea of a figure looking out to sea. (On view at pacegallery.com through June 2nd).

Nigel Cooke, Actaeon, oil and acrylic on linen, 88 9/16 x 64 9/16 inches, 2019.