Brent Wadden at Mitchell-Innes and Nash

Canadian artist Brent Wadden’s hand-woven ‘paintings’ embrace imperfection, incorporating second-hand fibers and mismatched seams on large panels in enticing colors and dynamic patterns. (At Chelsea’s Mitchell-Innes and Nash through May 30th).

Brent Wadden, Tangerine Teal, hand woven fibers, wool, cotton and acrylic on canvas, 107 x 84 inches, 2105.

Nancy Graves at Mitchell-Innes & Nash

Marking the 20th anniversary of Nancy Graves’ death, a show at Mitchell-Innes & Nash of sculpture and paintings from the 80s based on maps of the ocean floor or the surface of the moon evidence a respect for nature and a drive to experiment with form. The exhibition also includes the camel sculptures that made her name in the late 60s/early 70s. (In Chelsea through March 7th).

Nancy Graves, installation view at Mitchell-Innes and Nash, Feb 2015.

Diane Simpson at Mitchell-Innes & Nash

Though it looks like an earthquake-destroyed parking garage or an uprooted step-pyramid, the preppy green and soothing beige color of this sculpture by Chicago-based artist Diane Simpson suggests unblinking calm. The title, Underskirt, gives the game away, bringing to mind a crinoline for a ‘Cubie’ from the Cubist-inspired 1913 alphabet book. (At Mitchell-Innes and Nash in Chelsea through Jan 24th).

Diane Simpson, Underskirt, oil stain and acrylic on MDF with cotton mesh, 44 x 69 x 7 inches, 1986.

Justine Kurland at Mitchell-Innes and Nash

Cars have given photographer Justine Kurland the freedom to travel the country shooting unforgettable photos on her road trips; her latest series is a gritty but beautifully shot homage of sorts to the mechanics who keep them going. (At Mitchell-Innes and Nash in Chelsea through October 11th).

Justine Kurland, For Abigail, inkjet print, 18 ½ x 24 inches, 2014.

Marc Ganzglass in ‘Work Order, Change Order’ at Mitchell-Innes & Nash

Brooklyn’s McCarren Park – equally popular among Williamsburg hipsters and brawling youth – has been renovated to the tune of millions in recent years; New York artist Marc Glanzglass’ beautifully austere steel fence titled, ‘McCarren Fence,’ acknowledges the preciousness of the place as well as its divisions.  (At Mitchell Innes & Nash in Chelsea through Feb 1st).  

Marc Ganzglass, McCarren Fence, steel, 2013.