Mika Tajima at Pace Gallery

Known for turning sound into image, Mika Tajima has gathered aural data from brain activity and turned it into visual information in her latest ‘textile paintings,’ now on view at Pace Gallery.  Produced by an experimental textile lab in the Netherlands, the monumental artworks juxtapose minute readings with expansive artworks, a nod to an individual human’s relative insignificance in the face of geological time and in relation to big data. (On view in Chelsea through Feb 24th).

Mika Tajima, Negative Entropy (Deep Brain Stimulation, Yellow, Full Width, Exa), cotton, polyester, nylon, and wood, 135 x 204 3/8 x 2 ¾ inches, 2024.

Mika Tajima at 11R Gallery

From sounds recorded at a textile factory in Bally, PA and computer data sites, Mika Tajima and a textile designer worked to translate sound waves into visual patterns. Old technology – the mill uses jacquard looms (a punch-card system invented in the early 1800s) – meets new in a beautiful abstract textile that looks like a screen interrupted by interference. (At 11R Gallery on the Lower East Side through March 13th).

Mika Tajima, Negative Entropy (Bally Ribbon Mills NASA Carbon Fiber 3D Weave, Pink, Single), cotton, wood, acoustic baffling felt, 37 x 27 ½ inches, 2015.
Mika Tajima, Negative Entropy (Bally Ribbon Mills NASA Carbon Fiber 3D Weave, Pink, Single), cotton, wood, acoustic baffling felt, 37 x 27 ½ inches, 2015.

Mika Tajima at Eleven Rivington

As part of a residency at Philadelphia’s Fabric Workshop and Museum, New York artist Mika Tajima created textiles with a fascinating back story. Taking recordings from factories using Jacquard looms (a precursor to digital) and from server co-location sites (representing new technologies), she translated the sound waves into patterns woven on fabric which was then mounted on acoustic panels to create an object that simultaneously is cutting edge and historical. (At Eleven Rivington on the Lower East Side through April 13th).

Mika Tajima, Negative Entropy (Caledonia Dye Works, quad), cotton, wood, acoustic baffling felt; made in collaboration with the Fabric Workshop and Museum, Philadelphia, 78 x 54 inches, 2014.