Charlotte Posenenske in ‘Conspicuous Unusable’ at Miguel Abreu Gallery

Charlotte Posenenske permanently gave up art making for sociology in 1968, just a year after creating the plans for this modular sheet metal sculpture that could be configured in a variety of ways.  Here, the piece resembles a ventilation shaft that questions the necessity of use value in art while fetishising industrial design.  (At Miguel Abreu Gallery on the Lower East Side through Aug 17th).  

Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), sheet steel, dimensions and configuration variable, 1967/2009.

Pieter Schoolwerth at Miguel Abreu Gallery

Pieter Schoolwerth, After Troy 6, oil acrylic, giclee print and oil pastel on canvas, 2012.
Pieter Schoolwerth, After Troy 6, oil acrylic, giclee print and oil pastel on canvas, 2012.

Painter Pieter Schoolwerth rewrites art history with a new series of paintings that remake 17th century French painter Simon Vouet’s 1635 ‘Aeneas and His Family Fleeing Troy.’  Here, Aeneas, his invalid father and his small son crowd into one dynamic figure (created from digital printout, drawn lines and thick areas of painting) in an urgent escape.  (At Miguel Abreu Gallery, Lower East Side, through Dec 22nd).