Thomas Woodruff at Vito Schnabel Gallery

As the magnolia start to bloom in New York this week, Thomas Woodruff’s painting of dinosaurs as the Three Graces from Botticelli’s Primavera seems perfectly timed for the season.  One of several paintings in Woodruff’s solo show at Vito Schnabel Gallery that feature dinosaurs, the creatures enjoy their Edenic surroundings apparently unaware of their impending destruction.  Exploding volcanos and incoming meteorites appear in most of the show’s works, announcing an extinction event designed to excite fears about our own fate as the climate changes.  Coming a few years after Woodruff’s retirement from his long-term teaching career at the School of the Visual Arts, the artist explains that his subject matter also alludes to his own aging and suggests that he intends to go out with a bang.  (On view through March 30th).

Thomas Woodruff, The Three Graces, acrylic on canvas, 96 x 78 inches, 2022.

Keith Tyson at Hauser & Wirth Gallery

To say that British artist Keith Tyson’s art practice is expansive is something of an understatement; for decades, his painting and sculpture have aimed to show the connectedness of all things.  Drawing from thousands of paintings created over more than twenty years, grids of images now on view at Hauser & Wirth Gallery in Chelsea suggest links between neural networks, the vastness and changeability of space, mathematical concepts and much more.  Here, meteorites embedded in stainless steel prompted Tyson’s mind-boggling question in a recent catalogue essay: “What were the odds at some point in the distant past, when these chunks of matter were on their particular trajectories through outer space, that they would all end up together here in this piece of work?”  (On view in Chelsea through April 2nd).

Field of Heaven, stainless steel, meteorites, 23 5/8 x 23 5/8 x 23 5/8 inches, 2016.