Performers give it their all in one of the best galleries in the Metropolitan Museum of Art’s John Singer Sargent show, focusing on non commissioned (hence less restricted) portraits of friends and colleagues. Here, after meeting musical patron and singer Mabel Batten, Sargent persuaded her to pose for this incredible portrait of singing abandon. (Through Oct 4th).
John Singer Sargent, Mrs George Batten Singing, oil on canvas, 1897.
The most understated Met Museum Roof Garden commission in recent memory, French artist Pierre Huyghe’s installation features a chunk of bedrock set on the museum’s stone tile roof within site of a tank populated with primordial-looking tadpole shrimp. In contrast to the spectacle of luxury condo growth seen just south of the park, the low-key intervention on the Met’s roof is almost disorienting. Weeds sprouting from removed floor tiles suggest a dereliction far from the norm, a crack in the Met’s perfect public face. (At the Metropolitan Museum of Art through Nov 11th).
Pierre Huyghe, Roof Garden commission at the Metropolitan Museum of Art, 2015.
Slipping into a red dress has adventurous connotations completely suppressed by Cezanne’s portrait series of his wife, Hortense Fiquet, who sat for hours on end as her husband’s patient model. Cezanne’s famous line, ‘Only I understand how to paint a red,’ is put to the test in works that also create psychological intensity by disregarding traditional perspective. (‘Madame Cezanne’ at the Metropolitan Museum of Art through March 15th).
Paul Cezanne, Madame Cezanne in a Yellow Chair, oil on canvas, ca 1888-90.
Beijing-based artist Xu Bing is a star of the Met’s excellent ‘Ink Art’ exhibition, which features important work by prominent Chinese artists of the past few decades who have maintained a link with China’s traditional calligraphic and painting traditions. Here, Xu’s Book from the Sky submerses visitors in a sea of Chinese characters (with over a thousand unique variations) yet comes to question tradition and the relay of information by the fact that all are illegible. (At the Metropolitan Museum of Art through April 6th).
Xu Bing, Book from the Sky, ca 1987-91, installation of hand-printed books and ceiling and wall scrolls printed from wood letterpress type; ink on paper.
